Architecture: Gothic and RenaissanceSmith, T. Roger (Thomas Roger)
History
Architecture: Gothic and Renaissance
Smith, T. Roger (Thomas Roger)
Architecture -- History; Architecture, Gothic; Architecture, Renaissance; Church architecture
[Illustration: FIG. 83.--HOUSES AT CHESTER. (16TH CENTURY.)]
It is worth notice that the picturesque element, inherited from the
Gothic architecture of the middle ages, which before the eighteenth
century had completely vanished from our public buildings, and the
mansions of the wealthy did not entirely die out of works executed in
remote places. In the half-timbered manors and farmhouses which
abound in Lancashire, Cheshire, Shropshire, and Staffordshire, and in
other minor works, we always find a tinge, sometimes a very full
colouring, of the picturesque and the irregular; the gables are sharp,
upper storeys overhang, and the treatment of the timbers is
thoroughly Gothic (Fig. 83); so are the mouldings, transoms and
mullions to the windows, and barge boards to the roofs. In the reign
of James I. a mode of enriching the exteriors of dwelling-houses, as
well as their ceilings, chimney-pieces, &c., with ornaments modelled
in plaster came in, and though the remaining specimens are from year
to year disappearing, yet in some old towns (_e.g._ in Ipswich)
examples of this sort of treatment (known as Jacobean) still linger.
In Queen Anne's reign a semi-Gothic version of Renaissance
architecture was practised, to which great attention has been directed
in the present day. The Queen Anne style is usually carried out in
brickwork, executed in red bricks and often most admirable in its
workmanship. Pilasters, cornices, and panels are executed in cut
bricks, and for arches, niches, and window heads very finely jointed
bricks are employed. The details are usually Renaissance, but of
debased character; a crowning cornice of considerable projection under
a high-pitched hipped roof (_i.e._ one sloping back every way like a
truncated pyramid) is commonly employed; so also are gables of broken
outline. Dormer windows rich and picturesque, and high brick chimneys
are also employed; so are bow windows, often carried on concave
corbels of a clumsy form. Prominence is given in this style to the
joiner's work; the windows, which are usually sash windows, are
heavily moulded and divided into small squares by wooded sash bars.
The doors have heavily moulded panels, and are often surmounted by
pediments carried by carved brackets or by pilasters; in the interiors
the woodwork of staircases such as the balusters, newel posts, and
handrails is treated in a very effective and well considered way, the
greater part of the work being turned on the lathe and enriched with
mouldings extremely well designed for execution in that manner. By
this style and the modifications of it which were more or less
practised till they finally died out, the traditional picturesqueness
of English architecture which it had inherited from the middle ages
was kept alive, so that it has been handed down, in certain localities
almost, if not quite, to the present century.
SCOTLAND.
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