Re-ascending the steps of the dais, he flung himself indolently back in
his throne,--whereupon two pages brought a magnificent chair of inlaid
ivory and placed it near the foot of the dais at his right hand. In
this Sah-luma seated himself, the pages arranging his golden mantle
around him in shining, picturesque folds,--while Theos, withdrawing
slightly into the background, stood leaning against a piece of tapestry
on which the dead figure of a man was depicted lying prone on the sward
with a great wound in his heart, and a bird of prey hovering above him
expectant of its grim repast. Kneeling on one knee close to Sah-luma,
the harp-bearer put the harp in tune, and swept his fingers lightly
over the strings,--then came a pause. A clear, small bell chimed
sweetly on the stillness, and the King, raising himself a little,
signed to a black slave who carried a tall silver wand emblematic of
some office.
"Let the women enter!" he commanded--"Speak but Sah-luma's name and
they will gather like waves rising to the moon,--but bid them be silent
as they come, lest they disturb thoughts more lasting than their
loveliness."
This with a significant glance toward the Laureate, who, sunk in his
ivory chair, seemed rapt in meditation.
His beautiful face had grown grave, . . even sad, ... he played idly
with the ornaments at his belt, ... and his eyes had a drowsy yet
ardent light within them, as they flashed now and then from under the
shade of his long curling lashes. The slave departed on his errand ...
and Zabastes edging himself out from the hushed and attentive throng of
nobles stood as it were in the foreground of the picture, his thin lips
twisted into a sneer, and his lean hands grasping his staff viciously
as though he longed to strike somebody down with it.
A moment or so passed, and then the slave returned, his silver rod
uplifted, marshalling in a lovely double procession of white-veiled
female figures that came gliding along as noiselessly as fair ghosts
from forgotten tombs, each one carrying a garland of flowers. They
floated, rather than walked, up to the royal dais, and there prostrated
themselves two by two before the King, whose fiery glance rested upon
them more carelessly than tenderly,--and as they rose, they threw back
their veils, displaying to full view such exquisite faces, such
languishing, brilliant eyes, such snow-white necks and arms, such
graceful voluptuous forms, that Theos caught at the tapestry near him
in reeling dazzlement of sight and sense, and wondered how Sah-luma
seated tranquilly in the reflective attitude he had assumed, could
maintain so unmoved and indifferent a demeanor.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account