"It may be so, most mighty Zephoranim," he returned
composedly--"Nevertheless ashes are always ashes,--and the scattering
of them is but a question of time! For urns of gold and porphyry do but
excite the cupidity of the vulgar-minded, and the ashes therein sealed,
whether of King or Poet, stand as little chance of reverent handling by
future generations as those of many lesser men. And 'tis doubtful
whether the winds will know any difference in the scent or quality of
the various pinches of human dust tossed on their sweeping
circles,--for the substance of a man reduced to earth-atoms is always
the same,--and not a grain of him can prove whether he was once a
Monarch crowned, a Minstrel pampered, or a Critic contemned!"
And he chuckled, as one having the best of the argument. The King
deigned no answer, but turned his eyes again on Sah-luma, who still sat
pensively silent.
"How long wilt thou be mute, my singing-emperor?" he demanded
gently--"Canst thou not improvise a canticle of love even in the midst
of thy soul's sudden sadness?"
At this, Sah-luma roused himself,--signing to his attendant he took the
harp from him, and resting it lightly on one knee, passed his hands
over it once or twice, half musingly, half doubtfully. A ripple of
music answered his delicate touch,--music as soft as the evening wind
murmuring among willows. Another instant and his voice thrilled on the
silence,--a voice wonderful, far-reaching, mellow, and luscious as with
suppressed tears, containing within it a passion that pierced to the
heart of the listener, and a divine fullness such as surely was never
before heard in human tones!
Public-domain text, read in full here on John Shaqi.
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