How could he speak against this friend whom he loved, ..aye!--more than
he had ever loved any living thing!--besides what could he prove? To
begin with, in his present condition ho could give no satisfactory
account of himself,--if he were asked questions concerning his nation
or birth-place he could not answer them, . . he did not even know where
he had come from, save that his memory persistently furnished him with
the name of a place called "ARDATH." But what was this "Ardath" to him,
he mused?--What did it signify? ... what had it to do with his
immediate position? Nothing, so far as he could tell! His intellect
seemed to be divided into two parts--one a total blank, . . the other
filled with crowding images that while novel were yet curiously
familiar. And how could he accuse Sah-luma of literary theft, when he
had none of his own dated manuscripts to bear out his case? Of course
he could easily repeat his boyhood's verses word for word, ... but what
of that? He, a stranger in the city, befriended and protected by the
Laureate, would certainly be considered by the people of Al-Kyris as
far more likely to steal Sah-luma's thoughts than that Sah-luma should
steal his!
No!--there was no help for it,--as matters stood he could say
nothing,--he could only feel as though he were the sorrowful ghost of
some long-ago dead author returned to earth to hear others claiming his
works and passing them off as original compositions. And thus he was
scarcely moved to any fresh surprise when Sah-luma, giving back the
harp to his attendant, rose up, and standing erect in an attitude
unequalled for grace and dignity, began to recite a poem he remembered
to have written when he was about twenty years of age,--a poem daringly
planned, which when published had aroused the bitterest animosity of
the press critics on account of what they called its "forced
sublimity." The sublimity was by no means "forced"--it was the
spontaneous outcome of a fresh and ardent nature full of enthusiasm and
high-soaring aspiration, but the critics cared nothing for this, . .
all they saw was a young man presuming to be original, and down they
came upon him accordingly.
Public-domain text, read in full here on John Shaqi.
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