He, Theos, for instance, was certain of his own immortality,--so
certain that, surrounded as he was by this brilliant company of evident
atheists, he felt himself to be the only real and positive existing
Being among an assembly of Shadow-figures,--but it was not the time or
the place to enter into a theological discussion, especially with
Lysia, . . and for the moment at least, he allowed her assertions to
remain uncontradicted. He sat, however, in a somewhat stern silence,
now and then glancing wistfully and anxiously at Sah-luma, on whom the
potent wines were beginning to take effect, and who had just thrown
himself down on the dais at Lysia's feet, close to the tigress that
still lay couched there in immovable quiet. It was a picture worthy of
the grandest painter's brush, ... that glistening throne black as jet,
with the fair form of Lysia shining within it, like a white sea-nymph
at rest in a grotto of ocean-stalactites, . . the fantastically attired
negresses on each side, with their waving peacock-plumes,--the vivid
carnation-color of the dais, against which the black and yellow stripes
of the tigress showed up in strong and brilliant contrast, . . and the
graceful, jewel-decked figure of the Poet Laureate, who, half sitting,
half reclining on a black velvet cushion, leaned his handsome head
indolently against the silvery folds of Lysia's robe, and looked up at
her with eyes in which burned the ardent admiration and scarcely
restrained passion of a privileged lover.
Suddenly and quite involuntarily Theos thought of Niphrata, ... alas,
poor maiden! how utterly her devotion to Sah-luma was wasted! What did
he care for her timid tenderness, . . her unselfish worship? Nothing?
... less than nothing! He was entirely absorbed by the
sovereign-peerless beauty of this wonderful High Priestess,--this
witch-like weaver of spells more potent than those of Circe; and musing
thereon, Theos was sorry for Niphrata, he knew not why. He felt that
she had somehow been wronged,--that she suffered, ... and that he, as
well as Sah-luma, was in some mysterious way to blame for this, though
he could by no means account for his own share in the dimly suggested
reproach. This peculiar, remorseful emotion was transitory, like all
the vaguely incomplete ideas that travelled mistily through his
perplexed brain, and he soon forgot it in the increasing animation and
interest of the scene that immediately surrounded him.
Public-domain text, read in full here on John Shaqi.
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