"No!--Verily I have not traced, nor can I trace the smallest vestige of
a similarity! Why, good Theos, there is none!--not the least in the
world,--for this heroine of mine, Nourhalma, loves in vain, and
sacrifices all, even her innocent and radiant life, for love, as thou
wilt hear in the second half of the poem,--moreover she loves one who
is utterly unworthy of her faithful tenderness. Now Niphrata is a child
of delicate caprice ... she loves ME,--me, her lord,--and methinks I am
not negligent or undeserving of her devotion! ... again, she has no
strength of spirit,--her timorous blood would freeze at the mere
thought of death,--she is more prone to play with flowers and sing for
pure delight of heart than perish for the sake of love! 'Tis an unequal
simile, my friend!--as well compare a fiery planet with a twinkling
dewdrop, as draw a parallel between the heroic ideal maid
'Nourhalma'--and my fluttering singing-bird, Niphrata!"
Theos sighed involuntarily,--but forcing a smile, let the subject drop
and held his peace, while Sah-luma, taking up the thread of his
poetical narrative, went on reciting. When the story began to ripen
toward its conclusion he grew more animated, ... rising, he paced the
room as he declaimed the splendid lines that now rolled gloriously one
upon another like deep-mouthed billows thundering on the shore,--his
gestures were all indicative of the fervor of his inward ecstasy,--his
eyes flashed,--his features glowed with that serene, proud light of
conscious power and triumph that rests on the calm, wide brows of the
sculptured Apollo,--and Theos, leaning one arm in a half-sitting
posture, contemplated him with a curious sensation of wistful eagerness
and passionate pain, such as might be felt by some forgotten artist
mysteriously permitted to come out of his grave and wander back to
earth, there to see his once-rejected pictures hung in places of honor
among the world's chief treasures.
A strange throb of melancholy satisfaction stirred his pulses as he
reflected that he might now, without any self-conceit, at least ADMIRE
the poem!--since he had decided that was no longer his, but another's,
he was free to bestow on it as much as he would of unstinting praise!
For it was very fine,--there could be no doubt of that, whatever
Zabastes might say to the contrary,--and it was not only fine, but
intensely, humanly pathetic, seeming to strike a chord of passion such
as had never before been sounded,--a chord to which the world would be
COMPELLED to listen,--yes,--COMPELLED! thought Theos exultingly,--as
Sah-luma drew nearer and nearer the close of his dictation ... The deep
quiet all around was so heavy as to be almost uncomfortable in its
oppressiveness,--it exercised a sort of strain upon the nerves ...
Public-domain text, read in full here on John Shaqi.
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