"Let it be sad no longer then!" he said, caressing her cheek with his
hand,--and Theos saw a wave of rich color mounting swiftly to her fair
brows at his touch, as though she were a white poppy warming to crimson
in the ardent heat of the sun--"I love to see thee merry,--mirth suits
a young and beauteous face like thine! Look you, Sweet!--I bring with
me here a stranger from far-off lands,--one to whom Sah-luma's name is
as a star in the desert!--I must needs have thy voice in all its full
lusciousness of tune to warble for his pleasure those heart-entangling
ditties of mine which thou hast learned to render with such matchless
tenderness! ... Thanks, Gisenya," ... this as another maiden advanced,
and, gently removing the myrtle-wreath he wore, placed one just freshly
woven on his clustering curls, . . then, turning to Theos, he
inquired--"Wilt thou also wear a minstrel-garland, my friend? Niphrata
or Gisenya will crown thee!"
"I am not worthy"--answered Theos, bending his head in low salutation
to the two lovely girls, who stood eying him with a certain wistful
wonder--"One spray from Sah-luma's discarded wreath will best suffice
me!"
Sah-luma broke into a laugh of absolute delight.
"I swear thou speakest well and like a true man!" he said joyously.
"Unfamous as thou art, thou deservest honor for the frank confession of
thy lack of merit! Believe me, there are some boastful rhymers in
Al-Kyris who would benefit much by a share of thy becoming modesty!
Give him his wish, Gisenya--" and Gisenya, obediently detaching a sprig
of myrtle from the wreath Sah-luma had worn all day, handed it to Theos
with a graceful obeisance--"For who knows but the leaves may contain a
certain witchery we wot not of, that shall endow him with a touch of
the divine inspiration!"
At that moment, a curious figure came shuffling across the splendid
hall,--that of a little old man somewhat shabbily attired, upon whose
wrinkled countenance there seemed to be a fixed, malign smile, like the
smile of a mocking Greek mask. He had small, bright, beady black eyes
placed very near the bridge of his large hooked nose,--his thin, wispy
gray locks streamed scantily over his bent shoulders, and he carried a
tall staff to support his awkward steps,--a staff with which he made a
most disagreeable tapping noise on the marble pavement as he came along.
Public-domain text, read in full here on John Shaqi.
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