"'Tis not an altogether unfitting retreat for a poet's musings"--he
said, assuming an air of indifference, as he glanced round his
luxurious, almost royally appointed room--"I have heard of worse!--But
truly it needs the highest art of all known nations to worthily deck a
habitation wherein the divine Muse may daily dwell, ... nevertheless,
air, light, and flowers are not lacking, and on these methinks I could
subsist, were I deprived of all other things!"
Theos sat silent, looking about him wistfully. Was ever poet, king, or
even emperor, housed more sumptuously than this, he thought? ... as his
eyes wandered to the domed ceiling, wreathed with carved clusters of
grapes and pomegranates,--the walls, frescoed with glowing scenes of
love and song-tournament,--the groups of superb statuary that gleamed
whitely out of dusky, velvet-draped corners,--the quaintly shaped
book-cases, overflowing with books, and made so as to revolve round and
round at a touch, or move to and fro on noiseless wheels,--the grand
busts, both in bronze and marble, that stood on tall pedestals or
projecting bracket; and,--while he dimly noted all these splendid
evidences of unlimited wealth and luxury,--the perfume and lustre of
the place, the glitter of gold and azure, silver and scarlet, the
oriental languor pervading the very air, and above all the rich amber
and azure-tinted light that bathed every object in a dream-like and
fairy radiance, plunged his senses into a delicious confusion,--a
throbbing fever of delight to which he could give no name, but which
permeated every fibre of his being.
He felt half blinded with the brilliancy of the scene,--the dazzling
glow of color,--the sheen of deep and delicate hues cunningly
intermixed and contrasted,--the gorgeous lavishness of waving blossoms
that seemed to surge up like a sea to the very windows,--and though
many thoughts flitted hazily through his brain, he could not shape them
into utterance. He stared vaguely at the floor,--it was paved with
variegated mosaic and strewn with the soft, dark, furry skins of wild
animals,--at a little distance from where he sat there was a huge
bronze lectern supported by a sculptured griffin with horns,--horns
which curving over at the top, turned upward again in the form of
candelabra,--the harp-bearer had brought in the harp, and it now stood
in a conspicuous position decked with myrtle, some of the garlands
woven by the maidens being no doubt used for this purpose.
Yet there was something mirage-like and fantastic in the splendor that
everywhere surrounded him,--he felt as though he were one of the
spectators in a vast auditorium where the curtain had just risen on the
first scene of the play He was dubiously considering in his own
perplexed mind, whether such princely living were the privilege, or
right, or custom of poets in general, when Sah-luma spoke again, waving
his hand toward one of the busts near him--a massive, frowning head,
magnificently sculptured.
Public-domain text, read in full here on John Shaqi.
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