American fiction -- 20th century; Short stories, American
Williams, who was prudent by nature, did nothing worse than, in
returning from arguing a case in Jersey City, to take the ferry
instead of the tube. As he stood watching the boat for which he was
waiting bumping its way into its slip, his attention was attracted
by two people seated on the upper deck, with their elbows hooked
over the rail and their bent heads close together, evidently at that
delightful stage of intimacy when it is possible to talk--or rather
whisper--simultaneously without either one losing a single word of
what the other is saying. They showed no disposition to get off, no
realization even that the boat had reached the shore, though the
process of winding up the dock and letting down the drawbridges and
opening the gates is not a quiet one. They were simply going to and fro
on the river, for when the deck hand came to collect their fare it was
obviously a repeated performance.
Williams had recognized Hale first, but the next second he had seen
that the diminutive figure in black could be no other than Doris Helen.
He did not disturb them, but from the window of the upper cabin he
watched them--rather wistfully. Now and then they seemed to be saying
something of the most serious importance, and, looking at each other in
the middle of a sentence, they would forget to complete it. At other
times they were evidently extremely frivolous, speaking with a manner
common to those a little drunk and those deeply in love, a manner as
if only they themselves could appreciate how deliciously ridiculous
they were.
Williams was not much surprised the very next day to be called on
the telephone by Miss Southgate, who wished to see him at once. She
said she would come to his office, where they could talk without
interruption.
She came. Her handsome alabaster mask was never allowed to express
emotion, but she undulated her vast shoulders more than usual. A young
man by the name of Hale--a painter--was coming every day to the house,
and that morning Doris had admitted that he wanted to marry her.
"And my brother hardly a month in his grave!" said Miss Southgate, with
all the concentrated bitterness of Hamlet's first soliloquy.
She was so deeply outraged by the idea that Williams did not dare point
out to her that she would profit by the marriage. There was something
noble about her utter indifference to this aspect of it, but there was
something bitter and egotistical in her anger against her sister-in-law
for daring to suggest the control of her own destiny. Williams
remembered having seen Antonia show the same ruthless, pitiless
bitterness toward a servant who had left her voluntarily. She regarded
it as an insult from an inferior. Yet in her emotion there was also the
wish to protect her brother's memory.
Public-domain text, read in full here on John Shaqi.
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