Throughout the period of the Cultural Revolution, artists and writers have been going to the mountain villages, industrial centers, and agricultural cooperatives to live for varying lengths of time. Living and working with the people provides the writers and artists with insights into the life and problems that the various types of people must face. These experiences are designed to help them create themes that reflect the contemporary developments more accurately and to make cultural works more relevant to the masses. Given the influential role of culture in society, it was imperative that the Party establish strict control over all creative activities. Authors, dramatists, musicians, and artists must belong to the Union of Artists and Writers. This organization is nominally independent of the Party, but in reality it is firmly under Party control. Another source of control is the Ministry of Education and Culture, which has close ties with the Directorate of Education and Culture under the Politburo of the Party. Furthermore, all individuals involved in cultural pursuits are dependent upon the state for their income as well as for the financing of their various projects. The twofold task of the Party leaders in the cultural field--that of fostering cultural development while maintaining control over the content of the cultural works--was difficult in many respects and easy in others. The lack of a firmly established tradition in many cultural fields, as well as the lack of a substantial cultural community, facilitated the establishment of Party control. Writers and artists who received their training under the Party's tutelage know only the socialist realist approach. On the other hand, the lack of experience and personnel in many fields, such as drama, meant that the developments in these areas would be slow. Furthermore, the leaders were dependent first upon the Yugoslavs and, after 1948, on the Soviets to train people in the areas that were totally lacking in Albania's cultural heritage.