He remains romantic and brutal, chivalrous and treacherous, hospitable and quick to resent the mere implication of an insult. Still a cattle herd adept with lazo or _boleadora_,[27] a nomad ever seeking fresh fields and pastures new within the limits of his native territory. Give him a uniform he is a very useful soldier, and a fair military policeman, save for his rather erratic fits of truculence. For the rest no good at all outside of the few spheres mapped out for him by the limitation of his own strongly marked individuality. But he will always know again an animal he has once seen, and will track out a lost sheep across a very maze of confused spoor. Mr. Herbert Gibson[28] has written of the gaucho with true feeling and appreciation in the following words:— Skilled in horsemanship, quick of hand and of eye; in his beginnings the Arab and nomad of the plains; indifferent of his neighbour’s life, for his own he carried in his hand to risk at the first hazard, yet “loyal to his own law” even in his most lawless exploits—the gaucho of the Pampa constitutes the genuine emblem of the Argentine genius. He is the materialized expression of the spirit of the vast and lonely plain. “Bearing allegiance to neither King nor thing,” as Azara writes, he followed the fate of the live stock of the colony; when the cattle escaped control he too declared himself free, running wild and beyond the pale of even nominal domestication. The Pampa was his home, and in his ears the breeze moving over the plains whispered to him of liberty. To colonial rule succeeded the new order of Independence, and the gaucho, inured by his style of living to the stress of weather and to the struggle with savage animals, became the right hand of the petty chiefs of party faction, ever joining the side in conflict with the ruling power. The words law and order signified for him oppression and servitude, and he became the declared enemy of all authority. But with all his faults the gaucho, in his own element, mounted on his beloved horse, with lazo secured to the back of his saddle and his _boleadora_ hanging from his waist, was the henchman beyond price for the work of the old estancia, knowing how to dominate and domesticate the savage herds and droves of wild mares. In all that he has seemingly been modified by the progress of the times, he has remained unmodified in his spirit which is the essential manifestation of his climate and of his habit. The nomad gaucho of the colonial period converted into the loyal gaucho of the estancia, the man with no other belongings than his horses and the silver clasp and buttons hanging at his belt to whom the breeder entrusted all his herds, and the grazier the money wherewith to buy the droves of bullocks, without for one moment thinking, either the one or the other, that he would