Arguments before the Committee on Patents of the House of Representatives, conjointly with the Senate Committee on Patents, on H.R. 19853, to amend and consolidate the acts respecting copyright: June 6, 7, 8, and 9, 1906.United States. Congress. House. Committee on Patents
History
Arguments before the Committee on Patents of the House of Representatives, conjointly with the Senate Committee on Patents, on H.R. 19853, to amend and consolidate the acts respecting copyright: June 6, 7, 8, and 9, 1906.
United States. Congress. House. Committee on Patents
Copyright -- United States
_The inventor._--Being an inventor, and the majority of my
inventions being on automatic musical instruments and devices for
making the controllers (which patents largely outnumber any
contributed by any other individual to this art), I am well fitted
to state the part these devices have taken in the advancement of
music. Automatic musical instruments date back six decades or
over. The barrel organ, with its cylinder and pins, was used to
accompany divine worship in English churches before pianos adorned
the homes of the congregation, and they have been constantly
manufactured up to the present time, and are known now as
orchestrions. Twenty-three years ago, at the inventions exhibition
held in London, England, automatic reed organs (æolians) were
exhibited by the Mechanical Organette Company, of New York, and,
mechanically, I had charge of the instruments on exhibition. There
were also exhibited piano players of French and German manufacture
and the Miranda pianista, an English pneumatic player. Both
æolians and piano players have constantly been manufactured up to
the present time, inventive genius constantly laboring for
perfection in operation, ease of operation, and reduction of cost
to place them in reach of the masses. It is a fact beyond dispute
that barrel organs are as old as or older than pianos or reed
organs.
I have labored twenty-three years in this industry and contributed
between thirty and forty patents to the automatic-instrument
industry, and have invented and patented machines that would
record on controllers for automatic musical instruments the
conceptions of pianists and authors, when played on an instrument
by them, and I have yet to acquire a competency for my labors. The
inventor's labors are always discounted by the following
conditions:
First. Capital and machinery to market and manufacture the
invention.
Second. State of the prior art as brought out in the Patent Office
search.
Third. The liability of infringement and the slow and tedious and
expensive process of stopping it, taking testimony from Maine to
California, etc. I have a case of flagrant infringement which was
prosecuted four years ago and has not yet been adjudged by the
circuit court--as is usual in such cases, temporary injunction
being denied, which the composer or author could and does readily
obtain.
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