Arguments before the Committee on Patents of the House of Representatives, conjointly with the Senate Committee on Patents, on H.R. 19853, to amend and consolidate the acts respecting copyright: June 6, 7, 8, and 9, 1906.United States. Congress. House. Committee on Patents
History
Arguments before the Committee on Patents of the House of Representatives, conjointly with the Senate Committee on Patents, on H.R. 19853, to amend and consolidate the acts respecting copyright: June 6, 7, 8, and 9, 1906.
United States. Congress. House. Committee on Patents
Copyright -- United States
"Q. 5. Is it your actual observation that the demand for the sheet
music is created and stimulated so that the sale thereof is
increased by having the musical compositions played by the piano
players and other self-playing instruments, and that the cutting
of the perforated rolls for a given musical composition and the
selling of such rolls with and for the piano players does increase
the demand for the sheet music?--A. As I am not in the sheet
business on such a scale that I could judge to what extent it has
increased, I still claim, from knowing the amount of music sold in
the United States to-day, especially in the popular composition
line, it is stimulated by all self-playing devices. For example, I
would sit at a piano player and play a catchy melody; six or eight
people standing around me will immediately ask--or some of them
will--'What is this tune you are playing?' and I know from
personal knowledge that many copies, especially of my own
compositions, which are cut for self-players, have been bought in
sheet-music form on account of my playing them on the machine.
"Redirect:
"Q. 22. I inferred from your statements in that regard that you
received usually what you regard as very small compensation or
price for a great many of your compositions thus sold. Will you
give some instances of this sort, illustrating the disparity
between the price you received and the popularity, in sales, of
the pieces respectively?--A. My first great success, 'Careless
Elegance," which I published on royalty twenty-eight years ago,
and which is still selling to-day, netted me $11. My great song,
'Who Will Buy My Roses Red?' which sold 100,000 copies, netted me
$83. My great composition, 'The World's Exposition March,' $5.
'The Cadet Two-step' (50,000 copies sold), $4. And so I may go on
ad infinitum. Out of 1,500 compositions I have probably earned
$5,000."
"PETER C. LUTKIN, witness called on behalf of the defendant, being
duly sworn, testified as follows:
"Q. 4. Have you in mind the rate of growth in respect to pupils in
attendance in the school of music for which you are dean, for five
or six years back; and if so, will you kindly give us the facts in
general?--A. I have the statistics for the past five years. The
attendance in the school of music for the year 1898-99 was 248;
for the next year, 297; the next, 348; for the next, 366; for the
present year, 460. The figures for the present year are an
underestimate rather than an overestimate, as the year is not yet
closed; actual number is 453 to date, but will probably run to
475.
"No cross examination."
"JULIUS W. PETERS, a witness called on behalf of the defendant
company, being sworn, deposes and testifies as follows:
"Direct examination by Mr. BURTON:
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