Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Then Claire wrote in her own name that, wanting to go on the stage, and
knowing that Lord Byron was interested in Drury Lane Theatre, she would
like to ask his advice. Byron’s reply was to recommend her to call on
the stage manager. Undeterred, she made, at once, a skilful change of
front. It was not a theatrical career but the literary life which she
now desired. She had written half a novel and would so very much like to
submit it to Byron’s judgment. As he continued to keep silence, or to
send evasive replies, she risked offering him the only thing which a man
with any self-respect seldom refuses.
“I may appear to you imprudent, vicious, but one thing at least time
shall show you, that I love gently and with affection, that I am
incapable of anything approaching to the feeling of revenge or malice. I
do assure you your future shall be mine.
“Have you any objection to the following plan? On Thursday evening we
may go out of town together by some stage or mail about the distance of
ten or twelve miles. There we shall be free and unknown; we can return
early the following morning. I have arranged everything here so that the
slightest suspicion may not be excited. Pray do so with your people.
“Will you admit me for two moments to _settle_ with you _where_? Indeed,
I will not stay an instant after you tell me to go. . . . Do what you
will or go where you will, refuse to see me and behave unkindly, I shall
ever remember the gentleness of your manners and the wild originality of
your countenance.”
It was then that Don Juan, trapped and tired by the long pursuit,
decided to accept his defeat. He had already decided to leave England
and fix himself in Switzerland or Italy, and the prospect of a speedy
departure set welcome limits to this unwelcome amour.
CHAPTER XXIII
ARIEL AND DON JUAN
Don Juan counted, however, without the energy of Elvira. Claire had made
up her mind to follow him to Switzerland, and this dark-eyed girl was a
flame and a force. She arranged that the Shelleys should chaperon her,
knowing that they, too, would welcome the idea of a change.
Since she left them, they had been living at Bishopsgate, on the border
of Windsor Forest, and beneath the oak-shades of the Great Park Shelley
had composed his first long poem since _Queen Mab_. This was _Alastor,
or the Spirit of Solitude_, an imaginative interpretation of his
spiritual experiences, and a record of the exquisite mountain, river,
and woodland scenery of the past year. The tone differs from that of his
previous works. Melancholy and resignation soften down the confident
assertions of earlier years, and religious and moral theories, if still
serving as a peg, get somewhat pushed into the background.
Public-domain text, read in full here on John Shaqi.
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