There was no question of Hugh finding a chair for his mother while they
waited that ten minutes. They were lucky, they felt, in having and
retaining standing room. As the day had turned out to be an unseasonably
hot day, far more like August at its hottest than mid-May, the room was
almost unbearably close.
Very soon Mrs. Weyman murmured, “Really, Hugh, I shan’t be able to stay.
I’d rather go out and return to-morrow after the first rush. After all,
what is the advantage in being among the first in the stampede for this
show?”
“Oh, do stick it if you can, darling,” Hugh urged. “I’ll find you some
ice-water. Will that help?” He himself was only stimulated to a kind of
elation by the heat and the pressing crowd.
“Of course it will help. But you’re the only person I know, Hugh, who
would so confidently promise ice-water in these circumstances. And the
nice part of it is that I know you’ll manage it somehow. You’re awfully
satisfactory, dear boy.”
He grinned down at her his appreciation of her appreciation, patted her
arm, and vanished like a genie. When he returned through the envious
crowd, steadying a paper cup filled to the brim with ice-water, he found
that Schwankovsky, against all the laws of physics, had made a place for
his great bulk in the room somehow, and was towering above Mrs. Weyman,
talking down at the top of her smart spring hat.
“Warm?” he was booming. “Why, I hadn’t thought so. Hadn’t noticed. Those
pictures in there are more on my mind than the weather. They’re going to
take you by storm, I promise. You never saw sunlight in paint before, on
canvas. It’s epoch-making. You’ll see. It almost blinds you, this Clare
sunlight does.”
Mrs. Weyman shuddered prettily, and gratefully took the drink from
Hugh’s hands. “But didn’t he paint any shade?” she asked. “If not, I
absolutely shall not risk it.”
“Pooh! You wouldn’t miss it for the world. But where’s my Ariel? I
thought she was with you, Weyman. She must be here when the doors are
opened.”
Hugh was annoyed. He felt it very important for Ariel’s peace of mind
and her enjoyment of the victory—if the exhibition was to prove a
victory—that she should be unrecognized, and he expected Schwankovsky to
think of this and be a little careful.
“Joan’s driving Ariel in. They’ll be here any minute,” he replied in as
low a voice as he could use and still be heard.
But the minute hand on the face of Schwankovsky’s absurd little platinum
wristwatch moved on under his anxious gaze, and proved Hugh wrong.
Schwankovsky waited five minutes beyond the announced time of the
opening for Joan and Ariel to make their appearance before, with a
disappointed grunt, he gave the sign to Charlie Frye to slide back the
big doors.
“I’ll wait here for them,” Hugh told his mother. “You go on in, though.
It’ll be cooler there.”
Public-domain text, read in full here on John Shaqi.
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