He was overwhelmingly rejoiced. He felt that neither life nor death
could ever sadden him again, because one woman was so good, so sweet.
Chapter XXIV
“Your line has been busy for the past hour! Big business?” It was Joan’s
voice, coming to Hugh through his office telephone toward noon the
following morning.
He laughed. “Reporters mostly. The papers are on to the exhibition, and
all you prophesied seems to be coming true about the part they’re giving
Ariel in their stories.”
“Yes, of course. They’ve been hectoring us here too. I’m at the gallery
with Michael and Charlie. You can thank me, Hugh, for keeping Michael
from giving them the story about ‘Noon’ in the attic. He’s absolutely
promised now. And Charlie has promised. It’s safe. And your ‘Shell’ is
safe too. Michael’s going to let you have it. I’ve bought you one
myself, Hugh. I’d have wanted you to choose it, but it wouldn’t wait.
Every last painting, even the sketches, have been bid for. The
Metropolitan is going to get the lion’s share. A fortune seems to have
been donated by some dark angel. It will probably come out who, though.
So far, Michael claims it’s not he. ‘Sun and Wind’s’ the painting I’ve
bought for you, Hugh. For your birthday! It’s the only canvas without
the Dancer. If for nothing else that makes it a prize, of course.
Priceless some day. Have the reporters invaded Wild Acres yet? They
know, of course, that Ariel is there. And when _is_ she coming in?
Michael wants to know.”
“Wonderful of you to remember my birthday, Joan. I don’t remember ‘Sun
and Wind.’ But I’m grateful. You shall hang it for me at Wild Acres. But
the attic’s barred....” They both laughed.... “Ariel’s not coming in
till to-morrow afternoon. Grandam clings to her. She’s so very weak. I
wouldn’t be here myself, but there was something that had to be attended
to at the office.... To-morrow Glenn and Anne are getting away from
college to see Grandam, and they’ll take in the exhibition. If Grandam’s
better, Ariel and I’ll meet ’em at the Grand Central, the noon train,
and come right along to the gallery before going out to Wild Acres. Tell
Schwankovsky that, please.”
“Not till to-morrow! Well, he will be disappointed. Ariel might think of
him a little, after all he’s done for her!”
“She does. Of course, Joan. Last night she wrote him a letter, a very
dear one, I imagine. I put a special on it and posted it in the Grand
Central this morning. He’ll have it when he goes home.”
“Yes? Well, that may appease him. Where are you lunching, Hugh?”
“With you if you’ll let me, and why don’t I come right up and get you
now?” But he had little hope of Joan’s acceptance, for it was likely
that she had already arranged to lunch with Schwankovsky. “Only alone.
Please don’t take me up if there’s to be any one else along.”
Public-domain text, read in full here on John Shaqi.
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