“That’s only because I rest Grandam,” Ariel replied. “Miss Freer would
really like to do much more. She considers me officious, I can see, and
is put out sometimes. But it’s more important that Grandam should be
contented, isn’t it, than that Miss Freer should approve of me.”
Mrs. Weyman gasped. Miss Freer had spoken to her several times on the
subject of Ariel’s officiousness, but it had not occurred to either of
them that Ariel herself knew how the nurse resented her. Since Ariel had
taken the job of nurse-companion to her mother-in-law, Mrs. Weyman’s
respect for her had, of necessity, grown. Her liking and her interest
had grown as well. Besides, there was Anne, so devoted to Ariel! Mrs.
Weyman sent up almost daily letters addressed to Ariel in Anne’s
sprawling hand. Hugh, too, was fond of her, any one could see. Grandam
was absolutely dependent on her. And Glenn! Mrs. Weyman was disturbed
about Glenn. When had he ever in his whole life before been interested
like this in a girl?
Were she and Joan, then, perhaps wrong? Had they made a mistake from the
very first about this artist’s daughter in thinking her a mere child,
empty in her total lack of experience?
Anne’s spirited jazz came through the library windows. Ariel was dancing
in Glenn’s arms on the starlit terrace. One could not say she was being
taught. From the first step she had merely followed Glenn and the music.
They danced like one person, a dark and a light figure, slim and rather
elegant in the starlight. Glenn was wearing his tux, and patent-leather
pumps. Ariel, Mrs. Weyman noticed, was not small and insignificant as
she had got into the habit of thinking her. She was tallish and
extraordinarily graceful.
“Even so! Glenn mustn’t be serious. It will be years before he even
begins to be self-supporting,” Mrs. Weyman mused. “And Joan is probably
right. Ariel’s charm is merely that of youth and can’t wear. Still, I
don’t like Glenn’s being here all summer. Propinquity does such absurd
things sometimes!”
And upstairs, Hugh was standing in one of the apartment windows,
listening to the faint thrum-thrum of the jazz from below. Heard from
this distance—the library windows were on the other side of the house—it
sounded eerie, faint. And it kept itself going with an elfish
insistence. To Hugh it became the music of a mischievous fairyland,
actually malicious in its pricking at his heart.
Grandam was lying, too weary to talk or to hear Hugh read, half
drowsing. But she was aware of his mood.
“I’m glad Ariel’s having a little fun,” she murmured after a while.
“Aren’t you, really, Hugh? You’re glad?”
Public-domain text, read in full here on John Shaqi.
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