Schwankovsky retained Ariel’s hand and stared like a seer into the cold
green clarity of the semi-precious stone. Glenn felt shuddery and
resentful. Why ever did Ariel let the great creature go on petting her
in that absurd way? He might be the great Michael Schwankovsky, famous
for his wealth, his art collections and his books, but Glenn refused to
be hypnotized by such considerations into overlooking his boorishness.
It was hideous of him to have spoken to Ariel about her grief like
that—before everybody! Both insane and inane. He was an old
sentimentalist too. And all this pawing—!
But Ariel seemed to like it. And, in fact, she did. Michael
Schwankovsky’s warm, strong, great hand holding her wrist with such
gentle firmness was regulating those leaden heartbeats back to
normality. Kindness and _soundness_ were transmitted through those
strong, firm fingers to her consciousness. From her very first meeting
with Michael Schwankovsky she had felt at home with him. And by now,
quite simply, she had come to love him very much. Glenn could understand
nothing of this. He sat between Ariel and his brother, trying not to
care that Schwankovsky was keeping Ariel physically prisoner by that
wrist, trying not to hear what seemed to him the mawkish tenderness in
the booming voice that shattered, to his senses, against Ariel’s
delicate reserves so unforgivably.
And Hugh was thinking, “This is going to be an awful evening!” It
stretched away before him, a desert of aridity, where Ariel would be
kept close at Schwankovsky’s side, his mother and Joan would discuss
psychoanalysis and the comparative merits of its different schools
endlessly, and Anne, Glenn and this Frye fellow would keep the radio
going over all. If it fell out that way, he could not go on with it. His
nerves were taut.
And then those taut nerves hummed like telephone wires in a storm as he
caught the look of tortured disgust on Glenn’s features as the boy’s
eyes turned from Ariel’s prisoned wrist. “What right has Glenn to care
like that!” Hugh cried to himself. “He’s too young to know really how to
love her!”
But after dinner, to Hugh’s vast relief, the radio was overlooked. It
was a warm, still, moon-flooded night, and as a matter of course the
entire little party wandered out to the terrace and settled itself in
garden chairs there. Only Joan sat on the balustrade, leaned her
shoulder against an urn, and beckoned Hugh with her lighted cigarette to
come beside her. She was silent, in spite of being hostess, and he was
silent with her for some time, while the others talked. To Joan, the
silence between herself and the figure so close to her side was pregnant
as none of their other silences had ever been. It was the darkness in
which her moment of surrender was germinating. She had told Doctor
Steiner at their final conference on the subject this morning that she
was going to give marriage with Hugh at least its trial.
Public-domain text, read in full here on John Shaqi.
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