Although he addressed Anne, he was looking at Ariel, and Anne, even by
moonlight, caught the quality of that look. She drew in her breath
sharply. So that was it. And she hadn’t dreamed. God help Glenn then,
and on this day of all days!
“But of course you’re not going so early!” Joan, visibly non-plused,
refused to see Ariel’s hand held out for good-by. “Why should you, so
early?”
Ariel looked down at her aquamarine. “I’m afraid I have to, Mrs. Nevin.
Grandam may need me.”
“But surely not. Did she ask you to break up the party so early?”
“No—But I must—So, good night. And thank you very much.”
“Oh, very well then. So sorry. Glenn, you’ll drive Ariel home and come
back, won’t you?” Joan put it as a command.
But Michael Schwankovsky boomed, “I shall be very happy to take the rest
of the Weymans home in _my_ car, if Glenn _doesn’t_ get back. Youth,
Joan, youth!—No! This is not our ‘good-by,’ my Ariel. I shall put you
into the car carefully, right beside your young man. Not?”
Joan was trying to catch Hugh’s eyes, but he was looking at Ariel. “I’m
taking Ariel home,” he said. “Sorry, Glenn.” But his voice was vibrant.
His face, his voice—together with Ariel’s pale, victorious face—told a
great deal. But Joan shrank back from understanding what was becoming
plain to most of the others.
She urged sharply, “But you’ll come back. You’ll only be gone ten
minutes or so. I want a long, quiet talk with you to-night, Hugh. Our
last, perhaps, for months!” She was very white. But Hugh did not take
his eyes from the top of Ariel’s head, which was all he could see, for
her face was bent quite down and she was still looking at the
aquamarine. He replied, and it sounded absent-minded and was certainly
casual, “Let’s have that talk to-morrow morning, Joan. Your boat doesn’t
sail till midnight. I’m counting on quite a wonderful walk and talk with
you in the woods to-morrow.”
“Oh! Yes?” Joan knew now, but did not admit to herself, that she had
lost. How could she acknowledge that she had anything to fear from this
pale girl, who stared at her silly ring when she could look up and see
Hugh Weyman’s very heart in his eyes bent on her? Had Hugh ever looked
at herself like that? She could not believe he had. If he had, then she
had been a fool—a fool! She felt her ego shrivel. It was like a spent
dandelion flower, dried into fluffy seed, blowing to the four winds.
When Ariel, after long ages, to Joan’s aching sensibilities, lifted her
gaze from the aquamarine, withdrew herself from those distant, eerie,
Bermudian depths, Joan made no more of her even then; for the eyes she
lifted were crystal,—blind with tears. What in heaven’s name was the
girl crying about? Crying!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account