But Hugh scarcely heard her. He was listening to Ariel’s laughter and to
Schwankovsky’s exuberant flattery and affection up by the door. And
then—oh heavenly!—to Ariel’s voice, pebble-cool:
“No, never on the stage! But always for you, when you want. When you
come to visit us—me.” But she had meant “us,” and Hugh knew that “us”
meant _them_, himself and Ariel.
“... To-morrow then? A walk in the woods? I’ll have something quite
wonderful to tell you, Joan dear.” He had not understood her whispered
surrender. And he was not aware that she had taken the end of her scarf
from his fingers and was wrapping her bare shoulders now as if she were
cold.
She tried only once more. “Hugh! Suppose I don’t go to-morrow! I’m quite
out of the mood to-night. Why should I go? With Holly never so
beautiful, and all my friends, my _dearest_ friends, here?”
His answer to that astounded her, in spite of all that had happened to
her ego this night, by its simple cruelty. “I know it! Why should you
go? It’s heaven on earth right here. Why should any one leave it? This
night is—I never knew a night like this! It is wild—it is _wild_, Joan
dear, with beauty and wonderfulness! I wouldn’t go to heaven to-morrow
if all the angels invited me.”
She stood away from him. “Hugh! Are you aware of me at all?” she cried,
but under her breath. “Do you realize that I said I might give up
Switzerland? _And why I should want to give it up?_”
“Holly, you said, is so beautiful.... But Joan....” He was appalled. But
then, before he allowed himself quite to understand her—and he had very
nearly allowed that misfortune to them both to happen—he said quickly,
“You mustn’t think of me, my dear. Or pity me. Ever! You were awfully
right in all you said at Fernly. Remember? And our friendship, yours and
mine, _is_ going to be deeper and sounder than ever. It is enriched.”
And then, forgetting her again, he exclaimed, “Everything’s enriched.
Even the moonlight. It’s magic, isn’t it, Joan? Wild with loveliness!”
Before he got finally off with his Ariel, Hugh remembered that Glenn had
lost his latchkey lately and not replaced it yet. So he’d better find
him—he seemed to have vanished into the house—and give him his. He did
not interrupt Ariel and Schwankovsky in their protracted farewells up at
the door, but went around by the terrace to enter by the drawing-room
windows.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account