“Silver,” Enderly corrected. “There’s nothing white about it. It’s
silver, like bubbles in the sun. Not silver like Ariel’s. Ariel, you’ve
got queer hair. But it’s nice. It’s the color of copper wire to-day.
What turned _your_ hair?”
Ariel laughed, and her fairy-tale eyes squinted to green slits with
merriment. She laughed with them all. She could have danced. Was she
going to be really happy again? Was happiness a wave, buoying up the
whole of her life, a wave that _wouldn’t_ be kept out, that _would_
flood and make a freshet of her heart—even with her father dead? And
buried? Oh, but he was buried in the wave, not in the earth. That was
the secret.
She started up to her room to get her coat. She would get out quickly.
With the sun shining like this, Persis and Nicky must be somewhere near
their playground. She would find them. She couldn’t help finding them,
now when she was so happy.
But she did not open the door to her room. With her hand on the knob, it
came to her: of course Grandam had “Noon.” It was hanging all this time
in her attic apartment. Hugh adored Grandam, and he would never be so
selfish as not to insist that she have the picture up there, where she
lived so constantly alone. How dull Ariel had been not to have guessed
sooner! But no wonder she had looked up at those windows from the woods
day after day with a sense that there was relief from loneliness if she
could only reach up to it. “Noon” had been there, with Grandam, waiting
for her all the while. The beach. The sunlight. The green water. And
Gregory Clare’s love of his daughter made visible, dancing. That is what
herself in her father’s paintings meant to Ariel,—not a picture of
herself, but a picture of his love for her. She saw herself no more when
she looked at his painting than she saw herself when she looked into his
eyes.
But must she wait until Grandam and Glenn get back from their drive to
go up and make sure that, after all her disappointments, “Noon” was
there, safe with Grandam? Miss Peters would let her in.
She had forgotten that Grandam’s first words to her at luncheon had been
“They tell me that your father was a painter.” “Noon” would have made
that speech impossible, if Grandam had the picture. But their flight
together into understanding had followed that opening too swiftly for
Ariel to remember it now.
How did one get to the attic? Were there stairs? She had heard mention
of an elevator. But she wouldn’t know how to run an elevator. There must
be stairs as well. She hurried away to look.
Chapter X
Public-domain text, read in full here on John Shaqi.
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