“Got to catch a train,” he thought, to put himself in countenance with
himself. If Miss Loring got to him before the elevator arrived, summoned
by his urgent finger, he would say it aloud. He looked at his watch.
True enough! If he was to catch the hour’s train from the Grand Central,
he must get himself on the inside of a taxi in something less than a
minute. The elevator beat Miss Loring, and Hugh was grateful.
In the taxi he began sorting it out. Schwankovsky had seen Gregory
Clare’s pictures all right, and he had taken the exhibition in charge.
But Joan had had nothing to do with it, and in fact knew nothing about
it. And Schwankovsky himself hadn’t a hint of Hugh’s connection with the
artist or with his daughter. Probably he wasn’t even aware that Joan
herself knew Ariel. Surprising, perhaps, but not unaccountable. Charlie
Frye mightn’t even have mentioned that she had left Bermuda.—And Hugh
decided that his having bolted away from that party didn’t matter. He
couldn’t think that Miss Loring would be unconsolable, and no one else
would even notice. Certainly Joan wouldn’t. Asking him to come had been
the merest impulse—a fragile impulse at that—just a slight flutter of
well-meaningness toward poor old Hugh.
He looked drawn as he paid off his taxi driver at the Grand Central and
mingled his stride with the throngs pouring toward their various locals
on the lower level.
His mother was reading in bed when he got home. She called out to him.
Propped among snowy pillows, swathed in a rosy negligee under a rosy
bedside light, she was reading a book of “Cases,”—collected and edited
by Joan’s Doctor Steiner. For unpleasantness of subject they competed
tolerably with the popular murder mysteries of the day, and for the
ingenuity of their unraveling and denouements they competed not at all,
but superbly surmounted.
“Ariel in bed?” Hugh inquired. Mrs. Weyman closed the book, but kept a
finger in it. “I should hope so,” she exclaimed, just this side of
sharpness, while her welcoming smile changed into an irritated frown.
“Really! Hugh! Don’t you expect quite a lot of me these days? Three
times this week I’ve dined with that girl alone here. We’ve nothing to
say to each other. If Grandam came down, it would help. But no, Ariel
seems to have become my eternal vis-à-vis. Joan’s away. Mrs. Drake and
the Eddingtons and ’most everybody else, for the matter of that, are
still in Florida. Even without Ariel it would be dreary enough—But
_with_ her! And you come rushing in—’_Is Ariel in bed?_’ I can’t stand
it.”
“I’m sorry, Mother. But Joan’s back. You’ll see her to-morrow, probably.
That will help. And the exhibition’s on the way,—less than two months to
wait. After that Ariel might go abroad, or something, with some nice
older woman. Meanwhile—”
“Exactly, Hugh! Meanwhile? It’s appalling! What to do with her! And
how’s she to go abroad, or do anything—without any money?”
Public-domain text, read in full here on John Shaqi.
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