Juliet, who is preparing to drink the medicine that may be poisonous,
is the shy and timid young girl of Leopardi's _Amore e Morte,_ who
"feels her hair stand on end at the very name of death," but when she
has fallen in love "dares meditate at length on steel and on poison."
The very sepulchral cave shines, and Romeo after having stabbed Paris
at the feet of Juliet, whom he believes to be dead, feels that he is a
companion in misfortune and wishes to bury him there "In a triumphant
grave."
"A grave, O no, a lantern, slaughtered youth,
For here lies Juliet, and her beauty makes
This vault a feasting presence full of light."
Such words of admiration for love and for the youthful lovers are found
in other poets, for instance in Dante's words for Beatrice: "Death, I
hold thee very sweet: Thou must ever after be a noble thing, since thou
hast been in my lady."
If we find love in rather piteous guise in _Romeo and Juliet,_ comedy
reappears in the wise Portia, bound to the promise of allowing, her
fate to be decided by means of a guess, because although she submits
to selection by chance, she has already chosen in her heart, not among
the dukes and princes of the various nationalities, indeed of various
continents, who are competing for her hand, but a youthful Venetian,
something between a student and a soldier, half an adventurer, but
courteous and pleasing in address, who has contrived to please, not
only mistress, but maid, which shows, in this agreement of feminine
choice, where feminine taste really lies. "By my troth, Nerissa, my
little body is a-weary of this great world" (she sighs, with gentle
coquettishness toward herself), perhaps with that languor, which is
the desire of loving and of being loved, the budding of love; weary,
as those amorous souls feel, weary, who vibrate with an exquisite
sensibility. And indeed she is most sensible to music and to the
spectacles of nature; and the music that she hears in the night causes
her to stay and listen to it, and it seems to her far sweeter than when
heard in the daytime. Nocturnal moonlight gives her the impression of a
day that is ailing, of a rather pallid day when the sun is hidden.
Public-domain text, read in full here on John Shaqi.
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