Arius the Libyan: A Romance of the Primitive ChurchKouns, Nathan C. (Nathan Chapman)
Religion
Arius the Libyan: A Romance of the Primitive Church
Kouns, Nathan C. (Nathan Chapman)
Arius, -approximately 336 -- Fiction
to all, except their own small circle of friends and acquaintances, as
any particular leaf in the forest, or as any wave at sea; and in such a
city, the selfishness of the crowd, the hurry and confusion of business
or of pleasure, formed a sort of refuge for the Christians; so that,
long before the period of which we write, almost the first circumstance
which called any public attention to their numbers was the fact that,
under their influence, the pagan temples were less crowded, and the
pagan offerings less rich and free, than had been usual in times past;
and, when the fated Israelites had been accused of proselyting the
people from the worship of the gods, they defended themselves against
the angry priests by declaring that not they, but the Christians,
converted men of all nations from the old superstitions, and led them to
abandon the temples and forsake the gods.
Soon after their settlement in Alexandria, Am-nem-hat had informed the
relatives of Theckla of the young girl’s arrival, and they had
courteously called to see her, and had invited her to their own homes,
and had showed every disposition to receive the beautiful young heiress
with favor and affection. But they were all heathens, and her
association with them was necessarily limited to formal and distant
intercourse; as every visit to the great temple of Serapis, every public
occasion, or a birth, a marriage, or a funeral among them, might force
her either to countenance their pagan rites and ceremonies, or to
attract unto herself an unpleasant and perhaps dangerous attention by
refusing to do so. Hence she preferred to maintain only a ceremonious
acquaintance with her kindred, and to find her real friendships among
the Christians, with many of whom she soon came to be upon terms of
social and personal intimacy and confidence.
Public-domain text, read in full here on John Shaqi.
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