Armenian literature; Armenian literature -- History and criticism
The first religious war was followed by a second, in which the Armenian
princes offered a valiant resistance and the Persians were obliged to
give way. The leader of the resisting princes was appointed satrap by
the Persians. Thus Armenia won back partial independence, the Persians
themselves appointing an Armenian satrap and proclaiming religious
liberty. The Chief of the Magi, who was sent to convert the Armenians
to Mazdiism, returned unsuccessful and reported to the Persian king:
“Even if the immortals themselves came to our aid, it would be
impossible to establish Mazdiism in Armenia.” Although Vardan and his
followers perished in this war, and although the Armenians, apparently,
lost the battle, the struggle resulted in the triumph of the ideal for
which Armenia was struggling—that of religious freedom. This the
Persians realised and never, after this time, did they make any attempt
to force the Armenians to change their faith. Neither did any of the
various Mohammedan conquerors venture on any steps towards bringing
about the conversion of the whole Armenian nation, though they have
enforced conformity on a small scale; they have had to content
themselves with political supremacy. The Mohammedan world has realised
that Christianity is a great power in Armenia, and this is the reason
why the religious heads of the nation—the Catholicos and the
patriarchs—meet with great consideration, not only from the
governments of Christian states, but also from Mohammedan powers; both
by Christian and by Mohammedan countries which have rule over Armenia
these dignitaries are recognised as representatives of their country,
not only in religious, but also in secular affairs. Thus the Christian
National Church has been one of the chief factors of the unity and the
national consciousness which exists among Armenians even up to the
present day, and this is the reason why the battle of Vardan is
regarded as a national triumph and is still annually commemorated. [40]
When Armenia had ceased to be an independent state, its literature
became more religious, as the clergy were anxious to foster devotion.
Christianity introduced a new kind of poetry, namely, Church hymns and
chants. These were called, in Armenian, sharakans. They were not only
written in metre, but they were composed with a view to being sung. The
word sharakan means a “row of gems.” Historians of the Middle Ages
say that the sharakans were mainly written by the “translators,”
i.e., by writers of the fourth and fifth centuries. As a matter of
fact, very few sharakans were written after the thirteenth century.
Since then, no prayers or hymns have been introduced into the Armenian
Church.
Public-domain text, read in full here on John Shaqi.
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