Armenian literature; Armenian literature -- History and criticism
The most remarkable Armenian poet under the Bagratuni dynasty was
Grigor Narekatzi (951–1009), who has been called the Pindar of
Armenia and has also been canonised as a saint. From his pen came
elegies, odes, panegyrics, and homilies. His sacred elegies
(ninety-five in number) are elevated in style, showing Arabian
influence, and very pure in sentiment. His canticles and melodies are
still chanted in the Armenian Church. Verbosity is a characteristic of
his work; in one passage the word “God” is accompanied by ninety
adjectives.
He was greatly loved and revered by the people, but he aroused jealousy
in some of his ecclesiastical colleagues. On one occasion, they went to
the Catholicos with accusations against him. The Catholicos appointed
priests to investigate the case. These priests repaired to the abbey
where Grigor Narekatzi was, arriving about dinner time on a Friday. To
their surprise they found roast pigeons on the table, and reminded
Grigor that it was fast-day, whereupon the latter said, addressing
himself to the pigeons: “If that be so, off with you!” and the
roasted birds took to themselves wings and flew away. The astonished
investigators, without going into the case, turned back and reported
the miracle to the Catholicos. Of course this is an extravagant legend,
but it shows the high estimation in which Grigor Narekatzi was held by
his contemporaries.
The greatest work of this writer and the one on which his fame rests is
Narek. It is divided into ninety-five chapters, and is a tragic
devotional monologue composed of poetical prayers. Here the author
reveals his heart and soul in converse with God. Hope, fear, love,
faith, repentance, entreaty, aspiration, breathe as if mingled with
tears in fine and noble lines and periods. There is a copious stream of
epithets, a flood of rhetoric, an unfailing flow of ideas. With all
this wealth of diction, this work is sincere and strikingly original,
and gives evidence of the author’s high-soaring imagination. He
begins with an address to God, in which he represents himself as one of
the vilest of creatures, saying that, if all the trees in all the
forests of the world were pens and all the seas ink, they would not
suffice to write down his sins, but towards even such sinfulness as
this the mercy of God is great, and the Creator is so powerful that it
will be possible for Him to bleach the sins as white as snow.
This work gives evidence that its author had, on the one hand, great
love of God and a firm faith, and on the other hand a vivid imagination
and poetic fire. All this he has worded together with great skill.
Public-domain text, read in full here on John Shaqi.
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