Armenian Literature: Comprising Poetry, Drama, Folk-lore and Classic Traditions;: Translated into English for the First Time
General
Armenian Literature: Comprising Poetry, Drama, Folk-lore and Classic Traditions;: Translated into English for the First Time
Armenian literature; Armenian literature -- Translations into English
CHACHO. We believe it, truly; we believe it, but we must say to you,
nevertheless, that the dowry that a man gives his daughter means a great
deal. It does not mean buying a house, when it is laudable to be
economical. No; where the dowry is concerned, a man must think neither
of his pocket nor of his money-box. You were acquainted with Jegor? Did
he not sell his last house and afterward lived like a beggar to give
his daughter a proper dowry? When he died, was there not money for his
burial? That you know yourself very well. Are you any poorer than he,
that you grumble like a bear about 2,000 rubles?
OSSEP. O great Heavens! they will bring me to despair yet. Isn't this a
punishment of Providence, to bring up a daughter, spend a lot of money
on her education, and when you have done everything, then hang a bag of
gold around her neck, so that she may find someone who is kind enough to
take her home with him? A pretty custom!
SALOME. Against the manners and customs of the world you can do nothing,
however.
OSSEP. The devil take your manners and customs! If you hold so fast to
old ways, then stick to all of them. Is it an old custom to wear,
instead of Georgian shoes, little boots--and with men's heels, too? And
that a girl should be ashamed to go with her own people and should walk
around on the arm of a strange young man: is that also one of the good
old customs? Where can we find anything of the good old manners and
customs of our fathers, in the living or eating or housekeeping, or in
the clothing, or in balls and society? What! was it so in old times? Do
you still talk about old manners and customs? If once we begin to live
after the new fashion, let us follow it in all things. Why do we still
need to have bedclothes for twenty-four beds for guests? Why do we use
the old cupboard and cake-oven and sofa-cover? Why does one not visit a
mother with a young baby and stay whole months with them? Why does one
invite 100 persons to a wedding and give funeral feasts and let eighty
women mourners come and howl like so many dervishes? And what is that
yonder [_points to the furniture_]? That one is old-fashioned and the
others new-fashioned. If we can have one kind, why do we use the
other? [_Silent awhile_.
SALOME. Well, well! don't be angry! So you will give 6,000 rubles--you
have promised it. What is lacking I will procure.
OSSEP. You will procure it? Where, then, will you get it? Not some of
your own dowry, I hope.
SALOME. I had no dowry. Why do you tease me with that? No, everything I
have I will sell or pawn. The pearls, my gold ornaments, I will take off
of my _katiba_. The gold buttons can be melted. My brooch and my
necklace, with twelve strings of pearls, I will also sell; and, if it is
necessary, even the gold pins from my velvet cap must go. Let it all go!
I will sacrifice everything for my Nato. I would give my head to keep
the young man from slipping through my hands.
[_Exit hastily at left_.
SCENE VI
Public-domain text, read in full here on John Shaqi.
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