Arminell: A Social Romance, Vol. 3Baring-Gould, S. (Sabine)
General
Arminell: A Social Romance, Vol. 3
Baring-Gould, S. (Sabine)
English fiction -- 19th century
Then ensued the furnishing, and in this Arminell did not trust Mr.
Welsh. His ambition was to do all his purchases cheaply. He would have
ordered her sets for her several rooms in Tottenham Court Road, and
gloried in having got them at an extraordinarily low figure. Arminell
took Mrs. Welsh with her when making her purchases; not that she
placed any value on that lady’s taste, but because she was well aware
that by so doing she was giving to her hostess the richest treat she
could devise. There is, undoubtedly, positive enjoyment in spending
money, and next to the pleasure of spending money oneself, is that of
accompanying another shopping who spends money. After a day’s shopping
and the expenditure of a good many pounds, unquestionably one feels
morally elevated. And one is conscious of having done meritoriously
when one acts as a goad to a companion, urging her to more lavish
outlay, spurring her on when her heart fails at the estimation of the
cost. How mean you think your friend if she buys material at
twopence-three-farthings instead of that which is superior at
threepence. How vehemently you impress on her the mistake of
purchasing only five-and-a-half yards instead of six. Margin, you
urge, should always be given. It is false economy to cut your cloth
too close. With what rigidity of spinal marrow do you sit on your tall
chair and scorn the woman on your left who asks for cheaper Swiss
embroidery at threepence-farthing, when your friend on your right is
buying hers at a shilling. With what an approving glow of conscience
do you smile when you hear your companion’s bill reckoned up as over
fifteen pounds; and then you snatch the opportunity to secure a
remnant or a piece of tarnished material, with a haughty air, and bid
that it be put in with the rest—it will serve for a charity in which
you are interested: to wit—but you do not add this—the charity that
begins and ends with home.
Next to the enjoyment of shopping with a friend, who is lavish of her
money, comes the luxury of discussing the purchases after, of debating
whether this stamped velvet was, after all, the right thing, and whether
that tapestry silk would not have been better; whether the carpet and
the curtains will harmonise, and the paper of the wall accord with both.
It was a disappointment to Mrs. Welsh that Arminell did not have a dado
with water-reeds and sunflowers, and storks flying or standing on one
leg. “It is the fashion, I assure you,” said she, “as you may see in our
drawing-room at Shepherd’s Bush.” But then, it was a shock of surprise
and adoring admiration that came on Tryphœna Welsh, when, after having
advised jute for curtains and sofa-covers, because so extraordinarily
cheap, Arminell had deliberately turned to stamped velvet.
Public-domain text, read in full here on John Shaqi.
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