Armorel of Lyonesse: A Romance of To-dayBesant, Walter
General
Armorel of Lyonesse: A Romance of To-day
Besant, Walter
Fraud -- Fiction; Isles of Scilly (England) -- Fiction; London (England) -- Fiction
The room was on the ground floor, looking out upon the orchard, with a
northern aspect, so that the sun could only shine in for a small
portion of the year, during the summer months. The apple-trees were
now in blossom, the white pink and flowers bright in the sunshine
contrasting with the grey lichen which wrapped every branch and hung
down like ribbons. The room was the oldest part of the house, the only
remaining portion of an earlier house: it was low and small: the
fireplace had never been modernised: it stood wide open, with its dogs
and its broad chimney: the window was of three narrow lights, one of
which could be opened: all were still provided with the old diamond
panes in their leaden setting. Armorel observed the muslin blind put
up by Dorcas to keep out prying eyes. In dull and cloudy days the room
would be gloomy. As it was, even with the bright sunshine out of
doors, the air seemed cold and oppressive--perhaps from the fresh
association of Death. Armorel shivered as she looked about her.
The greater part of the room was taken up by a large bed. In the old
lady's time it had curtains and a head, and things at the four corners
like the plumes of a hearse, but in faded crimson. Then it looked
splendid. Now, the bed had been stripped: curtains and plumes and all
were gone, and only the skeleton bed left, with its four great solid
posts and its upper beams, and its feather bed lying exposed, with the
bare pillow-cases upon the mattress. But the bedstead was magnificent
without its trappings, because it was made of mahogany black with age:
they no longer make such bedsteads. There was also a table--an old
black table--with massive legs; but there was nothing on it.
Between door and wall there was a row of pegs, with a chair beneath
them. Now, by some freak of chance, when Dorcas and Chessun hung up
the ancient dame's things for the last time--her great bonnet, and the
cap of many ribbons within it, and her silk dress--they arranged them
so as to present a most extraordinary presentment of the venerable
lady herself--much elongated and without any face: she seemed to be
sitting in the chair below the pegs, dressed as usual, and nodding her
great bonnet, but pulled out to eight or ten feet in length. Armorel
caught the ghostly similitude and started, trembling. It seemed as if
in a moment the wrinkled old face, with the hawk-like nose and the
keen eyes, would come back to the bonnet and the cap. She was so much
startled that she turned the bonnet round. And then the figure seemed
watching with the shoulders. This was uncanny, but it was not so
terrible as the faceless form.
Public-domain text, read in full here on John Shaqi.
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