Armorel of Lyonesse: A Romance of To-dayBesant, Walter
General
Armorel of Lyonesse: A Romance of To-day
Besant, Walter
Fraud -- Fiction; Isles of Scilly (England) -- Fiction; London (England) -- Fiction
'I have always supposed'--she added, with hesitation, for experience
was lacking--'that two people fall in love when they are fitted for
each other. But in this, your wonderful Way of Pleasure, the poets
write as if every man was always wanting to make love to every woman
if she is pleasant to look at, and without troubling whether she is
good or bad, wise or silly. Oh! every woman! any woman! there is
neither dignity of manhood nor self-respect nor respect to woman in
this folly.'
'You cannot understand any of it, Armorel,' said Roland. 'We ought all
of us to be flogged from Newgate to Tyburn.'
'That would not make me understand. Flora, Chloe, Daphne,
Amaryllis--they are all the same to the poet. A pretty girl seems all
that he cares for. Can that be love?'
'--And back again,' said Roland.
'Still I should not understand. In the poetry I think that love-making
comes first, and eating and drinking afterwards. As for love-making,'
she spoke philosophically, as one in search of truth, 'as for
love-making, I believe I could wait contentedly without it until I
found exactly the one man I could love. But that I should take a
delight in writing or singing songs about making love to every man who
was a handsome fellow--any man--every man--oh! can one conceive such a
thing? There is but one Way of Pleasure to such as you, Roland. If I
could paint so good a picture as this is going to be, it would be a
life-long joy. I should never, never, never tire of it. I should want
no other pleasure--nothing better--than to work day after day, to work
and study, to watch and observe, to feel the mastery of hand and eye.
Oh! Roland--with this before you--with this'--she pointed to the
picture--'you sold your soul--you--you--you!--for feasting and
drinking and--and--perhaps----'
'No, Armorel: no. Everything else if you like, but not love-making.'
CHAPTER XIII
THE DRAMATIST
Public-domain text, read in full here on John Shaqi.
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