These ramblings belong to another book--the Book of the Things Left Out. I could show you, dear reader, many curious and interesting places visited by these two pilgrims, but one must not in this place write these down, because Armorel's story is not Armorel's history. Let us always be careful to distinguish. Besides, the events which have to be related destroyed, as you will see, the calm and tranquillity necessary for the proper enjoyment of such ramblings. First, this discovery concerning the pictures. Who can visit old churches and museums with a mind full of wrath and bitterness? So wrathful was Armorel in considering the impudence of the fraud she had discovered: so bitter was she in considering the cowardice of her old hero: that she even failed to observe the unmistakable signs of trouble which at this time showed themselves in her friend's face. If not a beautiful face, it was expressive. When the projecting forehead showed a thick black line: when the deep-set eyes were ringed with dark circles: when the pale cheeks grew paler and more hollow: and when the girl, who was generally so bright and animated, became silent and _distraite_, something was wrong. 'What is it, Effie?' Armorel asked, waking up. 'I have asked you three questions, and have received no answer. And you are looking ill. Has anything gone wrong?' 'Oh!' cried Effie, 'it is horrid! You are in troubles of your own, and you want me to add to them by telling you about mine.' 'I am in trouble, dear. And it makes me selfish and blind. You know partly what it is about. It is about the Life that has gone wrong. I have found out why and how. But I can never tell you or anybody. Never mind. Tell me about yourself.' 'It is more about my brother than myself. You know that Archie has been writing a play?' 'Yes. You write verses which you have never shown me; and your brother writes plays. I shall see both some day, perhaps.' 'Whenever you like. But Archie has now finished his play.' 'Yes?' 'That means to him more than I can possibly tell you. He has been living for that play, and for nothing else. It has filled his brain day and night. Never was so much trouble given to a play before, I am sure. It is himself.' 'I understand.' 'Well--then--you will understand also what he feels when he has been told that his play is utterly worthless.' 'Who told him that?' 'A great authority--a writer of great reputation--the only living writer whom we have ever known.' 'Well--but--Effie, if a great authority says this, it is frightful.' 'It would be, but for one thing, which you shall hear afterwards. However, he did confess that some of the situations were fine. But the dialogue, he said, was unfitted for the stage, and no manager would so much as look at the play.' 'Poor Archie! What a dreadful blow! What does he say?'