Armorel of Lyonesse: A Romance of To-dayBesant, Walter
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Armorel of Lyonesse: A Romance of To-day
Besant, Walter
Fraud -- Fiction; Isles of Scilly (England) -- Fiction; London (England) -- Fiction
The thing itself, and the manner of carrying it through, constituted a
_coup_ of the most brilliant kind. This public appearance deprived the
situation, in fact, of all its awkwardness. No one could ask them at
the Grosvenor Gallery what it meant. There were one or two to whom the
bridegroom whispered that it was a long and romantic story: that there
had been a bar to the completion of his happiness, by a public avowal:
that this bar--a purely private and family matter--had only yesterday
been removed: nothing was really explained: but it was generally felt
that the mystery added another to the eccentricities of genius. There
was a something, they seemed to remember dimly, about the marriages
and love-passages of Shelley, Coleridge, and Lord Byron.
Mrs. Feilding, clearly, was a woman born to be an artist's wife:
herself, artistic in her dress, her manner, and her appearance:
sympathetic in her caressing voice: gracious in her manners: and
openly proud of a husband so richly endowed.
Alec presented a great many men to her. She had, it seemed, already
made acquaintance with their works, which she knew by name: she
betrayed involuntarily, by her gracious smile, and the interested,
curious gaze of her large and limpid eyes, the genuine admiration
which she felt for these works, and the very great pleasure with which
she made the acquaintance of this very distinguished author. If any of
them were on the walls, she bestowed upon them the flattery of
measured and appreciative praise: she knew something of the technique.
'Alec is not exhibiting this year,' she said. 'I think he is right. He
had but one picture: and that was in his old style. People will think
he can do nothing but sea-coast, rock, and spray. So he is going to
send his one picture away--if you want to see it you must make haste
to the studio--and he is going--this is a profound secret--to break
out in a new line--quite a new line. But you must not know anything
about it.'
A paragraph in a column of personal news published the fact, the very
next day, which shows how difficult it is to keep a secret.
Before Mrs. Feilding left the gallery she had made twenty friends for
life, and had laid a solid foundation for her Sunday evenings.
Public-domain text, read in full here on John Shaqi.
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