Armorel of Lyonesse: A Romance of To-dayBesant, Walter
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Armorel of Lyonesse: A Romance of To-day
Besant, Walter
Fraud -- Fiction; Isles of Scilly (England) -- Fiction; London (England) -- Fiction
'All good painters succeed,' said the girl, who had never seen a
painter before or any painting save her own coloured engravings. 'You
are a good painter, Roland. You must succeed. You will become a great
painter in everybody's estimation.'
'I will take your words for an oracle,' he said. 'When I am
melancholy, and the future looks dark, I will say, "Thus and thus
spoke Armorel."'
The young man who is about to attempt fortune by the pursuit of Art
must not consider too long the wrecks that strew the shores and float
about the waters, lest he lose self-confidence. Continually these
wrecks occur, and there is no insurance against them: yet continually
other barques hoist sail and set forth upon their perilous voyage. It
may be reckoned as a good point in this aspirant that he was not
over-confident.
'Some are wrecked at the outset,' he said. 'Others gain a kind of
success. Heavens! what a kind! To struggle all their lives for
admission to the galleries, and to rejoice if once in a while a
picture is sold.'
'They are not the good painters,' the girl of large experience again
reminded him.
'Am I a good painter?' he replied, humbly. 'Well, one can but try to
do good work, and leave to the gods the rest. There is luck in things.
It is not every good man who succeeds, Armorel. To every man, however,
there is allotted the highest stature possible for him to reach. Let
me be contented if I grow to my full height.'
'You must, Roland. You could not be contented with anything less.'
'To reach one's full height, one must live for work alone. It is a
hard saying, Armorel. It is a great deal harder than you can
understand.'
'If you love your work, and if you are happy in it----' said the girl.
'You do not understand, child, Most men never reach their full height.
You can see their pictures in the galleries--poor, stunted things. It
is because they live for anything rather than their work. They are
pictures without a soul in them.'
Public-domain text, read in full here on John Shaqi.
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