Arrah Neil; or, Times of OldJames, G. P. R. (George Payne Rainsford)
History
Arrah Neil; or, Times of Old
James, G. P. R. (George Payne Rainsford)
Great Britain -- History -- Civil War, 1642-1649 -- Fiction; Historical fiction
Suddenly a thought struck him. Might he not, perchance, employ the
semblance of that state to facilitate his own escape? Doubtless, the
man placed to keep guard would not long remain upon his dull watch
without closing an eye, after a long day's march and a hard fight; the
door was not locked; he could open it and go out and, could he but so
disguise himself as to appear like the inhabitant of another world, if
the sentinel did wake, he would most likely be so stupified and
alarmed, that he would let him pass, or miss his aim if he fired.
Falgate remembered the words of the officer as he had retired: "As
well die so as by a cord;" and he resolved he would at least make the
attempt. A daring and enterprising spirit seized him; he felt he could
be a hero in ghostly attire, and the only difficulty was to procure
the proper habiliments. At first he thought of making a shift with his
own shirt; but then he remembered that the length thereof was somewhat
scanty, and he had never heard of ghosts with drapery above their
knees.
However, as, when one schoolboy opens a door into forbidden piece of
ground, and puts his head out, a dozen more are sure to follow and
hurry him on before them, so the thought of becoming a ghost seemed to
bring a thousand other cunning devices with it; and at length good
Diggory Falgate asked himself if the vestry might not be open, and if
a surplice might not be found therein. He determined to ascertain; and
creeping up to the door which he had often seen the parson of the
parish pass through, he lifted the latch, and to his joy found that it
was not locked. All, however, was dark within, and the poor painter,
entering cautiously, groped about, not knowing well where to seek for
that which he wanted. Suddenly his hand struck against something,
hanging apparently from a peg in the wall; but he soon ascertained
that the texture was not that of linen, and went on, still feeling
along the sides of the little room. In a moment after, he came to
something softer and more pliant, with the cold, glassy feel of linen
upon it, and taking it down he mentally said, "This must be the
surplice." He crept back with it into the moonlight in the church,
treading like a ghost, not only in anticipation of the character he
was about to assume, but also in palpable terror lest he should call
the attention of the guard at the church door, by tripping over a mat
or stumbling against a bench. The white and snowy garment, however,
the emblem of innocence, was there in his hand, and he gazed all over
it, inquiring in his own mind how he was to put it on. He knew not the
back from the front; he scarcely knew the head from the tail; and
seldom has a poor schoolboy gazed at the "ass's bridge," in the dry
but reason-giving pages of Euclid, with more utter bewilderment and
want of comprehension than Diggory Falgate now stared at the surplice.
As he thus stood, addressing mock inquiries to the folds of white
Public-domain text, read in full here on John Shaqi.
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