Arrah Neil; or, Times of OldJames, G. P. R. (George Payne Rainsford)
History
Arrah Neil; or, Times of Old
James, G. P. R. (George Payne Rainsford)
Great Britain -- History -- Civil War, 1642-1649 -- Fiction; Historical fiction
Diggory Falgate did not like their proceedings at all, though he would
by no means have objected to a glass of cordial waters himself. But
they were evidently about to break open one of the coffins--every word
showed it; to violate the sanctity of the grave--to disturb the ashes
of the dead; and the poor painter had sufficient refinement of feeling
to think that the drinking of intoxicating liquors, while so engaged,
was an aggravation of their offence. The collocation of "genuine
Nantz, I declare," with "there stands the coffin," shocked and
horrified him; and he paused for a moment to consider, feeling as if
it would render him almost a partaker in the sacrilege if he were to
descend into the vault. A moment's thought, however, settled this case
of conscience; and by the time that he had settled his plan he heard a
hollow noise, as if some hard substance had struck against an empty
chest.
"Now is the time," he thought; "they are busy at their hellish work."
There stood the lantern on the ground beneath; the men were evidently
at some small distance. If he could get possession of the light and
shade it, they were at his mercy; and the only difficulty was how to
descend the stairs without calling their attention. Recollecting,
however, that it was the invariable practice of ghosts, whatever
sounds they might produce with any other organs with which they may be
endowed, to make no noise with their feet, the good painter stooped
down, took off his shoes, and put them in his pockets. Then with a
quiet and stealthy step he began the descent, totally unperceived by
those who were by this time busily engaged wrenching and tearing some
well-fastened woodwork.
Stooping down before he quite reached the bottom of the steps,
Diggory Falgate looked into the vault, and immediately perceived two
men, both of them somewhat advanced in life--one a thin, tall,
puritanical-looking person, dressed in black, raising with a chisel
and mallet the lid of a coffin which stood upon the ground. Forty or
fifty other coffins, some small and narrow, some large, were within
the pale glimpse of the lantern, and the painter's imagination filled
up the dark space which the rays did not reach with similar mementoes
of mortality. On his left hand, near the foot of the stairs, were four
coffins placed in a row, with three others laid crosswise upon them,
and all raised two or three feet from the floor by trestles. There was
a narrow sort of lane behind, between them and the damp wall, and
taking another step down, he brought himself as far on that side as
possible.
Just at that moment one of the men turned a little, so as to bring his
profile within the painter's view, and he instantly recognised a face
that he had seen at the "Swan" Inn in Hull, the day before his
expedition with Captain Barecolt and Arrah Neil.
Public-domain text, read in full here on John Shaqi.
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