Arrows of the Chace, vol. 2/2: being a collection of scattered letters published chiefly in the daily newspapers 1840-1880Ruskin, John
History
Arrows of the Chace, vol. 2/2: being a collection of scattered letters published chiefly in the daily newspapers 1840-1880
Ruskin, John
Authors, English -- 19th century -- Correspondence; Letters to the editor -- Great Britain; Ruskin, John, 1819-1900 -- Correspondence
[151] Of this review nothing need be said beyond what is stated in this
letter. The full title of the book which it so harshly treated is "Our
Sketching Club. Letters and Studies on Landscape Art." By the Rev. R.
St. John Tyrrwhitt, M.A. With an authorized reproduction of the lessons
and woodcuts in Professor Ruskin's "Elements of Drawing." Macmillan,
1874. The "letters and notes" refer especially to one signed "K" in the
_Gazette_ of January 1, and another signed "A Young Author" in that
of January 4. The principal complaint of both these letters was that
reviewers seldom master, and sometimes do not even read the books they
criticise.
[From "The Pall Mall Gazette," January 19, 1875.]
_THE POSITION OF CRITICS._
_To the Editor of "The Pall Mall Gazette."_
SIR: I see you are writing of criticism;[152] some of your readers
may, perhaps, be interested in hearing the notions of a man who has
dabbled in it a good many years. I believe, in a word, that criticism
is as impertinent in the world as it is in a drawing-room. In a kindly
and well-bred company, if anybody tries to please them, they try to be
pleased; if anybody tries to astonish them, they have the courtesy to
be astonished; if people become tiresome, they ask somebody else to
play, or sing, or what not, but they don't criticise. For the rest,
a bad critic is probably the most mischievous person in the world
(Swift's Goddess of Criticism in the "Tale of a Tub" seems what need
be represented on that subject[153]), and a good one the most helpless
and unhappy: the more he knows, the less he is trusted, and it is
too likely he may become morose in his unacknowledged power. A good
executant, in any art, gives pleasure to multitudes, and breathes an
atmosphere of praise, but a strong critic is every man's adversary--men
feel that he knows their foibles, and cannot conceive that he knows
more. His praise, to be acceptable, must be always unqualified; his
equity is an offence instead of a virtue; and the art of correction,
which he has learned so laboriously, only fills his hearers with
disgust.
I am, Sir, your faithful servant,
JOHN RUSKIN.
BRANTWOOD, _Jan._ 18.
FOOTNOTES:
[152] Since the correspondence already mentioned, the _Gazette_ of
January 14 and 18 had contained two long letters on the subject from "A
Reviewer."
[153] The Goddess of Criticism, with Ignorance and Pride for her
parents, Opinion for her sister, and for her children Noise and
Impudence, Dulness and Vanity, Positiveness, Pedantry, and Ill-manners,
is described in the "Battle of the Books"--the paper which follows, and
is a companion to the "Tale of a Tub."
[From "The Critic," October 27, 1860.]
_COVENTRY PATMORE'S "FAITHFUL FOR EVER."_
_To the Editor of "The Critic."_
Public-domain text, read in full here on John Shaqi.
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