strikes, proposal as to, ii. 65 (note); a Tory, i. 152, 153; Turner, R.'s insight for his work, i. 106; called mad for praising Turner, i. 106; arranges the Turner bequest, i. 81, 83, 84, and note, 86, 88, 98, 100; executor of Turner's will, i. 81; love of Turner's pictures, i. 10; Thornbury's "Life of Turner" criticised by, i. 107; St. Mark's, Venice, and, i. 162, 169; Ruskin Society, i. 170 (note), ii. 191; Utopian home, ii. 119; residence in Venice, i. 87; wish to buy "Verona" (_see_ Verona), i. 152. Ruskin, Mr., books of, quoted or referred to:-- "Academy Notes," i. 67 (note), 76 (note), 117; ii. 23 (note). "A Joy for Ever," i. 25 (note), 102 (note), 189 (note); ii. 156 (note), 158. "Aratra Pentalici," ii. 125 (note). "Ariadne Florentina," i. 105 (note), 114 (note). "Bibliotheca Pastorum," vol. i., ii. 4 (note), 102 (note), 144 (note). "Cestus of Aglaia," ii. 99 (note). "Crown of Wild Olive," ii. 23, 60 (note), 157. "Deucalion," i. 180 (note). "Eagle's Nest," ii. 125 (note), 140. "Education in Art," i. 25 (note). "Elements of Drawing," i. 95; ii. 165 (note). "Essays on Political Economy," see below, "Munera Pulveris." Evidence before National Gallery Commission, 1857, i. 48 (note), 84 (note). "Examples of Venetian Architecture," i. 157 (note). "Fiction Fair and Foul," ii. 97 (note). "Fors Clavigera," i. 151, and note, 160 (note), 168, 169, 170; ii. 60 (note), 70 (note), 72, 106 (note), 126 (note), 130, 164 (note), 187, 189. "Giotto and his Works in Padua," i. 25 (note). Holbein, article on, ii. 12 (note). "Home and its Economies," ii. 144 (note). Lectures on Architecture and Painting, i. 22 (note), 107 (note). Lectures on Art, ii. 125, 156. (note). Lecture, on Forms of Stratified Alps, i. 174 (note). ---- on Verona and its ruins, ii. 113 (note). Letters on the Lord's Prayer, ii. 142. "Modern Painters," i. 3, 4 (note), 4 (note), 5 (note), 7, 8 (note), 40, 60 (note), 62 (note), 67 (note), 101 (note), 107 (note), 108 (note), 155, 174, 186, 191 (note), 193 (note); ii. 127, 165. "Munera Pulveris," ii. 44 (note), 71, 72, 84, and note, 89, 226, 262 (note). "My First Editor," ii. 192 (note). Notes on Criminal Classes, ii. 131 _seqq._ Notes on Prout and Hunt, ii. (note). Oxford Lectures, ii. 125. "Political Economy of Art;" see above, "A Joy for Ever." Pre-Raphaelitism, i. 12, 65 (note). "Queen of the Air," ii. 171, 201. "Sesame and Lilies," i. 60 (note); ii. 168 (note), 171 (note). "Seven Lamps of Architecture," i. 60 (note). "Stones of Venice," i. 157 (note), 161; ii. 175 (note), 184 (note), 192 (note). "Time and Tide," ii. 65, 185. Turner pamphlets, Catalogues of Sketches and Drawings, i. 84, and note, 88 (note), 101 (note).