Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious NotesOvid
General
Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
Some person, maliciously officious, with retentive lips carried the
words he had heard to the timid ears of his wife. Procris, when she
heard the name of Aura [breeze], as though of a rival, fainted away, and
with this sudden apprehension she was mute. She turned pale, just as the
late leaves become wan, which the coming winter has nipped, the clusters
now gathered from the vine; and as the quinces [1122] which in their
ripeness are bending their boughs; and as the cornels not yet quite
fit for food for man. When her senses had returned, she tore her thin
garments from off her body with her nails, and wounded her guiltless
cheeks. And no delay was there; raving, with dishevelled locks, she flew
amid the tracks, like a Bacchanal aroused by the thyrsus. When she had
come near the spot, she left her attendants in the valley; and with
silent footsteps, in her boldness, she herself stealthily entered the
grove. What, Procris, were thy feelings, when thus, in thy frenzy, thou
didst he concealed? What the impulse of thy disquieted breast? Each
moment, forsooth, wast thou expecting that she would come, whoever Aura
might be, and that their criminality would be witnessed with thine eyes.
Now dost thou repent of having come, for indeed thou wouldst not wish to
detect him; and now thou art glad; fluctuating affection is tormenting
thy breast. There is the spot, and the name, and the informant to bid
thee give credence; and the fact that the lover always apprehends that
to exist which he dreads. When she beheld the grass beaten down,
the impress of his body, her trembling bosom was throbbing with her
palpitating heart. And now midday had made the unsubstantial shadows
small, and at an equal distance were the evening and the morn. Behold!
Cephalus, the offspring of the Cyilenian God, [1123] returns from the
woods, and sprinkles his glowing face with water of the fountain. In thy
anxiety, Procris, art thou lying concealed. Along the grass he lies
as wont, and says, "Ye gentle Zephyrs, and thou Aura [breeze], come
hither." When the welcome mistake of the name was thus revealed to
the sorrowing fair, both her senses and the real colour of her face
returned.
She arose; and the wife, about to rush into the embrace of her husband,
by the moving of her body, shook the leaves that were in her way. He,
thinking that a wild beast had made the noise, with alacrity snatched up
his bow; his arrows were in his right hand. What, wretched man, art thou
about? 'Tis no wild beast; keep still thy weapons. Ah wretched me! by
thy dart has the fair been pierced. "Ah me!" she cries aloud, "a loving
heart hast thou pierced. That spot has ever retained the wound inflicted
by Cephalus. Before my time I die, but injured by no rival; this,
O Earth, will make thee light when I am entombed. Now is my breath
departing in the breeze that I had thus suspected; I sink, alas! close
my eyes with those dear hands."
Public-domain text, read in full here on John Shaqi.
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