Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious NotesOvid
General
Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
[Footnote 708: Where the mother.--Ver. 69. He alludes to the Theatre and
Portico which Augustus built; the former of which received the name of
his nephew Marcellus, the latter of his sister Octavia, the mother of
Marcellus. After the death of Marcellus, Octavia added a public library
to this Portico at her own expense. Here there were valuable paintings
of Minerva, Philip and Alexander, and Hercules on Mount Aeta. Some
suppose that the temple of Concord, built by Livia, and mentioned in the
Fasti, is here referred to.]
[Footnote 709: The Portico of Livia.--Ver. 72. The Portico of Livia was
near the street called Suburra. This Portico is also mentioned in the
Fasti. We learn from Strabo that it was near the Via Sacra, or Sacred
Street.]
[Footnote 710: Granddaughters of Belus.--Ver. 73. This was the Portico
of the Danaides, in the temple of Apollo. It is referred to in the
Second Elegy of the Second Book of the Amores.]
[Footnote 711: Bewailed by Venus.--Ver. 75. He alludes to the temple of
Venus, at Rome, which, according to Juvenal, was notorious as the scene
of intrigues and disgraceful irregularities. It was a custom of the
Romans, borrowed from the Assyrians, to lament Adonis in the temple
of Venus. See the Tenth Book of the Metamorphoses. This worship of the
Assyrians is mentioned by the Prophet Ezekiel, chap. viii. ver. 13,
'women weeping for Thatnmuz.']
[Footnote 712: The Jew of Syria.--Ver. 76. He alludes to the rites
performed in the Synagogues of the Jews of Rome, on the Sabbath, to
which numbers or females were attracted, probably by the music. There
were great numbers of Jews at Rome in the reign of Augustus, who were
allowed to follow their own worship, according to the law of Moses.
The Roman females visiting the Synagogues, assignations and gross
irregularities became the consequence. Tiberius withdrew this privilege
from the Jews, and ordered the priests' vestments and ornaments to be
burnt. This line is thus rendered in Dryden's version:]
'Nor shun the Jewish walk, where the foul drove,]
On Sabbaths rest from everything but love.']
This wretched paraphrase is excused by the following very illiberal
note,]
'If this version seems to bear a little hard on the ancient Jews, it
does not at all wrong the modern.']
[Footnote 713: Many a woman.--Ver. 78. Io, or Isis, was debauched by
Jupiter. Martial and Juvenal speak of the irregularities practised on
these occasions.]
[Footnote 714: Where the erection.--Ver. 81. He refers to the Forum of
Cæsar and the temple of Venus, which was built by Julius Cæsar after the
battle of Pharsalia.]
[Footnote 715: Of Appius.--Ver. 82. He alludes to the aqueduct which
had been constructed by the Censor Appius. This passed into the City,
through the Latin gate, and discharged itself near the spot where the
temple of Venus was built.]
[Footnote 716: Shooting stream.--Ver. 82; He alludes to the violence
with which the water was discharged by the pipes of the aqueduct into
the reservoir.]
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