Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious NotesOvid
General
Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
[Footnote 1078: A little table receives.}--Ver. 365. This game is
mentioned in the Tristia, Book ii. 1. 481. It seems to resemble the
simple game played by schoolboys on the slate, and known among them as
tit-tat-to.]
[Footnote 1079: No trusting.--Ver. 377. On account of the continued run
of bad luck.]
[Footnote 1080: Flying ball.'--Ver. 380. See the Tristia, Book ii. 1.
485-6, and the Note.]
[Footnote 1081: The Virgin.--Ver. 385. This was near the Campus Martius.
See the Fasti, Book i. 1. 464; and the Pontic Epistles, Book i. Ep.
viii. 1. 38, and the Note.]
[Footnote 1082: Etrurian.--Ver. 386. The Tiber flowed through ancient
Etruria.]
[Footnote 1083: The Virgin.--Ver. 388. He alludes to the heat while the
sun is passing through the Constellation Virgo.]
[Footnote 1084: Parætonium.--Ver. 390. See the Amores, Book ii. El.
xiii. 1. 7, and the Note. He alludes to the victory of Augustus over
Antony and Cleopatra, at Actium; on which the conqueror built the temple
of Apollo on the Palatine hill.]
[Footnote 1085: The suter and the wife.--Ver. 391. Livia, the wife, and
Octavia, the sister of Augustus, are referred to.]
[Footnote 1086: His son-in-law.--Ver. 392. The allusion is to M.
Agrippa, the husband of Julia, the daughter of Augustus; after the
defeat of the younger Pompey, Augustus presented him with a naval crown.
A Portico built by Augustus was called by his name.]
[Footnote 1087: Memphian heifer.--Ver. 393. See the Amores, Book i. El.
viii. 1. 74.]
[Footnote 1088: Frequent the three Theatres.--Ver. 394. He probably
alludes to the theatres of Pompey, Balbus, and Marcellus, as they are
mentioned by Suetonius as the 'trina theatra.']
[Footnote 1089: Glowing wheels.--Ver. 396. See the Amores, Book iii. El.
ii.]
[Footnote 1090: Thamyras.--Ver. 399. He was a Thracian poet, who
challenged the Muses to sing, and, according to Homer, was punished with
madness. Diodorus Siculus says that he lost his voice, while the Roman
poets state that he lost his sight. Amoebeus was a famous lute-player of
Athens.]
[Footnote 1091: Of Cos.--Ver. 401. See the Pontic Epistles, Book iv. Ep.
i. 1. 29.]
[Footnote 1092: Poets were.--Ver. 405. Euripides was the guest of
Archelaüs king of Macedonia, Anacreon of Polycrates king of Samos, and
Pindar and Bacchilides of Hiero king of Sicily.]
[Footnote 1093: Placed near to thee.--Ver. 410. According to some
accounts, the ashes of Ennius were deposited in the tomb of the Scipios,
by the older of his friend Scipio Africanus.]
[Footnote 1094: Its own Priam.--Ver. 440. Priam and Antenor advised that
Helen should be restored to Menelaus.]
[Footnote 1095: Liquid nard.--Ver. 443. There were two kinds of nard,
the 'foliated,' and the 'spike' nard. It was much esteemed as a perfume
by the Romans.]
[Footnote 1096: Narrow belt.--Ver. 444. He probably means a girdle that
fitted tightly, and caused the 'toga' to set in many creases. See the
Notes to the Fasti, Book v. 1. 675.]
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