The Duke walked quietly out of the room.
Guerchard sobbed twice; his eyes opened, and in a dazed fashion
wandered from face to face; he said faintly: “Where is he?”
“Where’s who?” said Bonavent.
“The Duke—the Duke!” gasped Guerchard.
“Why, he’s gone!” said Bonavent.
Guerchard staggered to his feet and cried hoarsely, frantically: “Stop
him from leaving the house! Follow him! Arrest him! Catch him before he
gets home!”
CHAPTER XX
LUPIN COMES HOME
The cold light of the early September morning illumined but dimly the
charming smoking-room of the Duke of Charmerace in his house at 34 B,
University Street, though it stole in through two large windows. The
smoking-room was on the first floor; and the Duke’s bedroom opened into
it. It was furnished in the most luxurious fashion, but with a taste
which nowadays infrequently accompanies luxury. The chairs were of the
most comfortable, but their lines were excellent; the couch against the
wall, between the two windows, was the last word in the matter of
comfort. The colour scheme, of a light greyish-blue, was almost too
bright for a man’s room; it would have better suited a boudoir. It
suggested that the owner of the room enjoyed an uncommon lightness and
cheerfulness of temperament. On the walls, with wide gaps between them
so that they did not clash, hung three or four excellent pictures. Two
ballet-girls by Degas, a group of shepherdesses and shepherds, in pink
and blue and white beribboned silk, by Fragonard, a portrait of a woman
by Bastien-Lepage, a charming Corot, and two Conder fans showed that
the taste of their fortunate owner was at any rate eclectic. At the end
of the room was, of all curious things, the opening into the well of a
lift. The doors of it were open, though the lift itself was on some
other floor. To the left of the opening stood a book-case, its shelves
loaded with books of a kind rather suited to a cultivated, thoughtful
man than to an idle dandy.
Public-domain text, read in full here on John Shaqi.
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