“We are in full agreement, aren’t we, Marescal? Your mistake, my
mistake at the beginning, the mistake of the magistrates, everybody’s
mistake is to have judged the facts in accordance with their appearance
and in accordance with this rule, which is quite reasonable: when there
is a murder, the dead are the victims and the people who fly the
murderers. One never thought that the exact opposite might happen, that
the assailants might be killed and the assailed, safe and sound, might
take to flight. And how should William not have thought of flight on
the instant? If William waits, William is done for. William the burglar
cannot allow justice to meddle in his affairs. The smallest enquiry and
the underside of his equivocal existence will rise into the full light
of day. Was he going to resign himself to that? It would be too
foolish. When the train is slowing down the remedy is at hand. He does
not hesitate; he hustles his companion and shows her the scandal that
the business will set going—a scandal for her and a scandal for
Bregeac. Helpless, in an immense confusion of mind, terrified by what
she has seen and the presence of these two corpses, she does as he bids
her. William dresses her in the blood-stained blouse and mask and cap
of the younger Loubeaux. He dresses himself in the disguise of the
elder Loubeaux, carries away their suit-cases to leave no trace behind
him. They hurry down the corridor, upset the conductor, and jump from
the train.
“An hour later, after a terrible flight through the wood, Aurelie was
arrested, imprisoned, found herself in the hands of her implacable
enemy, Marescal, and was lost.
“But for a coup de théâtre. I enter the scene!”
Nothing, neither the gravity of the circumstances, nor the dolorous
attitude of the young girl who is weeping at the memory of that
accursed night—nothing could have prevented Ralph from playing the part
of an actor who enters on the scene.
He rose, went to the door, and came back, with the magnificent air of
an actor whose entry must produce an overwhelming effect.
“Then I enter on the scene,” he repeated, smiling with an air of
satisfaction. “It was time. I am sure, Marescal, that you also are
pleased to see, in the midst of these rogues and imbeciles, an honest
man who at once takes up the right attitude, without knowing anything,
and simply because Mademoiselle has beautiful green eyes, comes forward
as the champion of persecuted innocence. Here at last is a firm will, a
penetrating insight, a helping hand, a generous heart—Baron de Limézy!
As soon as he arrives, things begin to clear up. The facts line up,
like good children, in their true and proper order; and the drama ends
in laughter and good temper.”
He walked a few steps up and down the room, and bent over the weeping
girl.
Public-domain text, read in full here on John Shaqi.
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