That will be very sad for the majority; it will not matter much to art.
For those who can feel the significance of form, art can never be less
than a religion. In art these find what other religious natures found
and still find, I doubt not, in impassioned prayer and worship. They
find that emotional confidence, that assurance of absolute good, which
makes of life a momentous and harmonious whole. Because the aesthetic
emotions are outside and above life, it is possible to take refuge in
them from life. He who has once lost himself in an "O Altitudo" will not
be tempted to over-estimate the fussy excitements of action. He who can
withdraw into the world of ecstasy will know what to think of
circumstance. He who goes daily into the world of aesthetic emotion
returns to the world of human affairs equipped to face it courageously
and even a little contemptuously. And if by comparison with aesthetic
rapture he finds most human passion trivial, he need not on that account
become unsympathetic or inhuman. For practical purposes, even, it is
possible that the religion of art will serve a man better than the
religion of humanity. He may learn in another world to doubt the extreme
importance of this, but if that doubt dims his enthusiasm for some
things that are truly excellent it will dispel his illusions about many
that are not. What he loses in philanthropy he may gain in magnanimity;
and because his religion does not begin with an injunction to love all
men, it will not end, perhaps, in persuading him to hate most of them.
FOOTNOTES:
[Footnote 27: An example of this was the temporary police-court set up
recently in Francis Street, just off the Tottenham Court Road. I do not
know whether it yet stands; if so, it is one of the few tolerable pieces
of modern architecture in London.]
[Footnote 28: We may hope much from the Omega Workshops in London; but
at present they employ only trained artists. We have yet to see what
effect they will have on the untrained.]
THE END
Printed in England at the Ballantyne Press
Spottiswoode, Ballantyne & Co. L'td.
Colchester, London & Eton
Public-domain text, read in full here on John Shaqi.
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