Art in America: A Critical and Historial SketchBenjamin, S. G. W. (Samuel Greene Wheeler)
History
Art in America: A Critical and Historial Sketch
Benjamin, S. G. W. (Samuel Greene Wheeler)
Art, American
So prominent has this improvement in architecture already become in
American cities, that already their external aspect or profile has begun
to partake of the picturesque character hitherto supposed to belong only
to the Old World, and to present that massing of effect so dear to the
artistic eye. We can illustrate this by mentioning only two or three
examples among many. One who looks toward Philadelphia from the railway
station on the east side of the Schuylkill, may see a cluster of spires
and domes centering around the Academy of Fine Arts, which is so
agreeably composed that one would almost imagine the position of each to
be the deliberate choice of a master in composition. Twenty years ago
one would have looked in vain for any such harmonious outline of
structural beauty in this country. The small, quaint fishing-port of
Marblehead has also found itself suddenly transformed into one of the
most pleasing cities of the Union, as viewed from the Neck across the
harbor; for on the very crest of the hills upon which the place is built
a town-hall has been erected, of brick, neatly faced with stone, and
surmounted by an elegant tower. At once the old town has emerged from
the commonplace into the region of the picturesque. The new structure
has given character and symmetrical outline to the city by producing
convergence to a central point of effect; and when the sun sets behind
it, and brings its outline into bold but harmonious relief against a
golden background, while a mist of glowing rays glazes the whole into
tone, the view is in the highest degree artistic, and so resembles some
of the scenes one so often sees in the Old World that he can hardly
believe he is gazing at an American prospect.
We find a somewhat similar effect, but on a much larger scale, presented
by the new Capitol, or State-house, at Albany. This city, as beheld from
the opposite banks of the Hudson at Greenbush, has always been one of
the most pleasing of American cities, situated as it is on several lofty
hills, divided by ravines in which purple shadows linger when night is
approaching; but the addition of the vast structure now in course of
completion there adds greatly to the glory of the spectacle. It
dominates over the city of eighty thousand inhabitants with superb
dignity; and the whole place borrows beauty from it, and is elevated
above prose into poetry. Again one is reminded of the cathedral towns of
Europe, where some lofty, venerable minster guards through the ages the
roofs that cluster below. Not that this pile, which is rather hybrid in
its style, is to be considered equal to the masterpieces of old-time
architecture; but it is a long step in advance compared with the civic
buildings formerly erected and admired in our cities, and its presence
at the capital of a great State cannot but have an ennobling and
educational influence upon rising generations.
Public-domain text, read in full here on John Shaqi.
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