Art in America: A Critical and Historial SketchBenjamin, S. G. W. (Samuel Greene Wheeler)
History
Art in America: A Critical and Historial Sketch
Benjamin, S. G. W. (Samuel Greene Wheeler)
Art, American
In New York there seems to be, with no less activity than that of
Boston, an art movement which is based on broader grounds, and offers
more encouragement for the future of our art. The artists who are the
most influential in this advance are more equally divided between the
French and the German schools than those of Boston, and indicate more
breadth of sympathy and art culture, together with a cosmopolitan love
for the good in the art of all schools, which is one of the most
encouraging of signs in a dawning intellectual reform. So decided had
the tendency toward Munich become soon after 1870, that the colony of
American art students in Munich soon grew sufficiently large to
establish an art association, having stated days of meeting, at which
contributed paintings were exhibited and discussed, and carefully
prepared papers on art topics were read. Opinions were exchanged in this
manly, earnest, sympathetic manner, and breadth and catholicity were
reached in the consideration of the great question in which all were so
profoundly interested. Thus were gained many of the influences which are
destined to affect American art for ages to come.
[Illustration: "THE APPRENTICE."--[WILLIAM M. CHASE.]]
The writer regards as among the most improving and delightful evenings
he has enjoyed those passed with some of these talented and enthusiastic
art students at the table where a number regularly met to dine--at the
Max Emanuel café in Munich. Dinner over, huge flagons of beer were
placed before each one, and pipes were lit, whose wreaths of
upward-curling smoke softened the gleam of the candles, and gave a
poetic haze to the dim nooks of the hall that was highly congenial to
the hour and the topics discussed. The leonine head of Duveneck,
massively set on his broad shoulders, as from time to time behind a
cloud of smoke he gave forth an opinion, lent much dignity to the scene;
while the grave, thoughtful features of Shirlaw, and the dreamy,
contemplative face of Chase, occasionally lit by a flash of impetuous
emotion, aided by an eloquent gesture, made the occasion one of great
interest. Others there were around the board whose sallies of humor or
weighty expressions of opinion made an indelible impression.
Public-domain text, read in full here on John Shaqi.
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