Art in America: A Critical and Historial SketchBenjamin, S. G. W. (Samuel Greene Wheeler)
History
Art in America: A Critical and Historial Sketch
Benjamin, S. G. W. (Samuel Greene Wheeler)
Art, American
Strange as it may seem, while portraiture, landscape, and steel
engraving were pursued with such success by our artists, a feeling for
the other arts could hardly be said to exist. A sympathy with form,
generally the earliest art instinct to show itself, was long in
awakening, as proved by the tardiness of the plastic arts to demand
expression among us; while to the resources of black and white, or
_camieu_, or a perception of the matchless mystery and suggestiveness of
_chiaro-oscuro_, the people have, until within a very short time, seemed
altogether blind. Water-colors, also, were almost hooted at;
wood-engraving was for long in a pitiful condition; and as for
architecture and the decorative arts, nothing worthy of the name, and
scarcely a sign of a perception of their meaning, could be said to exist
on this side of the Atlantic.
Some years ago W. J. Linton, one of the most distinguished
wood-engravers of the century, came to this country to live. Whether
that had anything to do with the very rapid development of
wood-engraving here since that time cannot be stated with certainty;
but, judging from analogy, we should say that he has exerted a marked
influence in stimulating the remarkable progress already reached by our
engravers within a very few years. A.V.S. Anthony was one of the first
to respond to the awakening demand for good wood-engraving here, and has
shown great delicacy and skill in interpreting the drawings of our very
clever artists in black and white. Charles Marsh is also an engraver of
remarkable character and originality of style. In the rendering of a
decorative or highly ideal class of subjects he brings to his aid an
artistic genius not surpassed by any engraver we have produced. Messrs.
Morse, Davis, Hoskin, Wolf, Annin, Juengling, Kingsley, Müller, Cole,
Smithwick and French, Kreul, Dana, Andrew, and King, among a number who
have distinguished themselves in this art, are especially noteworthy,
not only for correct rendering of the spirit of a drawing, but often for
individuality of style.
Public-domain text, read in full here on John Shaqi.
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