Art in America: A Critical and Historial SketchBenjamin, S. G. W. (Samuel Greene Wheeler)
History
Art in America: A Critical and Historial Sketch
Benjamin, S. G. W. (Samuel Greene Wheeler)
Art, American
When we come to the book illustrators we encounter a number of artists
of merit, and occasionally of genius, who are so numerous that we can
select only here and there a few of the most prominent names. Felix O.
C. Darley was one of the first to show the latent capacity of our art in
this branch. His style soon became very mannered, but, at the same
time, undoubtedly showed great originality and invention in seizing
striking characteristics of our civilization, and a refined fancy in
representing both humor and pathos. His linear illustrations to "Rip Van
Winkle" and Judd's "Margaret" placed him, until recently, among our
first two or three _genre_ artists. Less versatile and inventive,
Augustus Hoppin has, however, earned an honorable position among our
earlier illustrators. Louis Stephens also won distinction for an elegant
rendering of humorous subjects. Then followed a group of landscape
illustrators, among whom Harry Fenn holds a high position for poetically
rendering the illimitable aspects of nature and the picturesqueness of
rustic or Old World scenery and ruins. Under the guidance of his facile
pencil how many have been instructed in art, and learned of the varied
loveliness of this beautiful world! Thomas Moran ranks with Mr. Fenn as
a master in this field. It appears to us that in this branch he displays
more originality and imagination than in the elaborate paintings by
which he is best known.
Within a very few years--so recently, in fact, that it is difficult to
see where they came from--a school of _genre_ illustrators have claimed
recognition in our art, educated altogether in this country, and yet
combining more art qualities in their works than we find in the same
number of artists in any other department of American art. It is a
little singular that, notwithstanding the recent interest in black and
white in this country, the _genre_ artists who represent it should at
once have reached an excellence which commands admiration on both sides
of the Atlantic, while our painters in the same department have rarely
achieved more than a secondary rank.
[Illustration: SOME ART CONNOISSEURS.--[W. HAMILTON GIBSON.]]
Public-domain text, read in full here on John Shaqi.
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