For this, it must be said, however, that as the times went, it did not
really need such careful nursing; it was strong enough, or very nearly
so, to run alone: it was of a highly respectable order. The lady
possessed poetic feeling, with considerable artistic facility. Her
sketches of scenes from Spenser, Shakespeare, Virgil, and Homer compare
not unfavourably with the designs of many of her contemporaries. And her
portraits were of real merit; one of the fair Duchess of Devonshire,
painted as the Cynthia of Spenser, extorted unbounded admiration from
the critics and connoisseurs of the period.
From Berkeley Street Cosway removed to the south side of Pall Mall,
occupying part of the large mansion originally erected by the Duke of
Schomberg--that 'citizen of the world,' as Macaulay calls him, who was
made a Duke, a Knight of the Garter, and Master of the Ordnance by
William the Third, and falling by his master's side at the battle of the
Boyne, was, according to Lord Macaulay, buried in Westminster Abbey;
but, in truth, it would seem that his remains were deposited in the
Cathedral of St. Patrick, Dublin, Dean Swift and the Chapter erecting
there a monument to his memory, and the Dean writing _more suo_ a
sarcastic epitaph[15] on the heirs who had neglected to do their duty by
their great ancestor. Schomberg House--after the Duke's death divided
into three separate houses, and still existing, though in a somewhat
changed and mutilated form, part of it being now occupied by the War
Office--has sheltered many artists of fame under its roof. Here Jervas
painted--the pupil of Kneller, and the admired of Pope, whose deformity
the painter in his portrait of the poet did his best to mend and
conceal; here lived mad Jack Astley, who made so prosperous a marriage
with the rich Lady Duckenfield; and Nathaniel Hone, the Royal
Academician, retaining on the premises a negress model, famous for her
exquisite symmetry of form; then Cosway--and, greatest of all, Thomas
Gainsborough, dying in an upper room on the 2d of August 1778. In the
spacious saloons of Schomberg House, Cosway thought he should find ample
room and verge enough both for himself and his fashionable friends.
[15] This epitaph may be read in Mr. Samuel Lucas's _Secularia; or,
Surveys on the Mainstream of History_, p. 293.
Public-domain text, read in full here on John Shaqi.
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