He died suddenly at last of a third attack of paralysis, on the 4th day
of July 1821. The seizure occurred as he was taking a carriage drive to
Edgeware, and he expired without a groan in a few minutes. He had long
been in doubt as to whether he should prefer to be buried in his native
Devonshire or with his favourite Rubens at Antwerp. But struck with the
orderly plan of a funeral in the vaults of a London Church, he had said,
'I prefer this to Antwerp or St. Paul's: bury me here.' He was interred
accordingly at Marylebone New Church (the work of young Smirke, son of
his brother academician), a select number of his professional and
personal friends, and a long line of the carriages of his aristocratic
patrons, following the funeral.
Mrs. Cosway erected, on the north wall, under the gallery of the church,
a monument by Westmacott, to her husband's memory. The following
indifferent epitaph by the painter's brother-in-law, 'Syntax' Coombe,
was inscribed upon the marble:--
'Art weeps, Taste mourns, and Genius drops the tear
O'er him so long they loved who slumbers here.
While colours last, and Time allows to give
The all-resembling grace, his name shall live.'
After the death of her husband Mrs. Cosway quitted England, and took up
her abode at her Ladies' College at Lodi, where she was much loved and
respected. How long she survived seems uncertain. Some accounts relate
that she died the same year as Cosway. But Allan Cunningham, writing in
1833, described her as still living.
THE STORY OF A SCENE-PAINTER.
Public-domain text, read in full here on John Shaqi.
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