But the scene-painter having set foot within the theatre was not to be
expelled. The intruder soon won for himself a large popularity; held his
ground against criticism and opposition. He was no mere journeyman
dauber. From the first he had taken distinct rank as an artist. Lustrous
names adorn the muster-roll of scene-painters. Inigo Jones planned
machinery and painted scenes for the masques, written by Ben Jonson,
for performance before Anne of Denmark and the Court of James the First.
Evelyn lauds the 'very glorious scenes and perspectives, the work of Mr.
Streeter,' serjeant-painter to King Charles the Second. In February
1664, the Diarist saw Dryden's _Indian Queen_ acted 'with rich scenes as
the like had never been seen here, or haply, except rarely, elsewhere on
a mercenary theatre.' Mr. Pepys--most devoted of playgoers--notes
occasionally of particular plays, that 'the machines are fine and the
paintings very pretty.' In October 1667, he records that he sat in the
boxes for the first time in his life, and discovered that from that
point of view 'the scenes do appear very fine indeed, and much better
than in the pit,' to which part of the house he ordinarily resorted. The
names of the artists who won Mr. Pepys' applause have not come down to
us. But previously to 1679, one Robert Aggas, a painter of some fame,
was producing scenes for the theatre in Dorset Gardens. Nicholas Thomas
Dall, a Danish landscape-painter, settled in London in 1760, was engaged
as scene-painter at Covent Garden Theatre, and was elected an Associate
of the Royal Academy in 1771. For the same theatre, John Richards, a
Royal Academician, appointed secretary to the Academy in 1778, painted
scenes for many years. Michael Angelo Rooker, pupil of Paul Sanby, and
one of the first Associates of the Academy, was scene-painter at the
Haymarket. Other names of note might be mentioned before the modern
reputations of Roberts and Stanfield, Beverley and Callcott, Grieve and
Telbin are approached; and especially over one intermediate name are we
desirous of lingering a little. The story of the scene-painter of the
last century, who was well known to his contemporaries as 'the ingenious
Mr. DE LOUTHERBOURG,' presents incidents of singularity and interest
that will probably be found to warrant our turning to it for purposes of
inquest and comment.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account